That's your cue to leave

You turn away from the bar just in time to see Honey entering the room and making a beeline straight towards you. Uh oh. You get the idea that she'll be bearing news of your next performance.

"Marcy, there you are!", she exclaims, instantly trying to take you by the arm and pulling you along towards the door. "I've been looking for you! We have a new... uh... scene ready for you. Of sorts".

"Of sorts?", you ask, allowing Honey to guide you along. You leave the crowd behind, although most of them seem to have turned your attention away from you by now anyway.

"I'll explain on the way", Honey tells you. "We're going to be taking my car". Wait, her car? Are you leaving the studio?

"Where are we going?", you inquire as you follow Honey back up the stairs. She takes a left, through a large door which turns out to be the backdoor of the studio complex. There's a whole parking space back here, filled with a wide variety of mostly shady-looking vans and other cars beyond their prime. To your relief the vehicle she directs you to is red sports convertible.

"We are headed to a motel for a short and simple one-on-one shoot", Honey explains, squeezing your arm slightly. "But we have to hurry, it's almost an hour's drive and the film crew is already on the way to the location", she adds, looking at you as she releases your arm and rummages around in her handbag to find the keys. She opens the door to the passenger's side and gestures for you to get in.

Well, that doesn't sound so bad. A short and simple one-on-one shoot seems almost welcome when put in comparison to all the 'scenes' you already did or recently signed up for. Still, you weren't prepared to just leave the studio on short notice like this.