Catwoman is up first…

You now remake Catwoman, and get rid of most of the nonsense and stupidity that caused the film to be hated so much.

The terrible dialogue? Gone. Awful CGI? Gone, most effects are now practical, and those that are till there would look great by 2023 standards, you make it a groundbreaking film in that regard. The departure from the comic book version of Selina Kyle? You make it so it never happened.

Using the remote you alter the film at its core to be more true to the comic book character, and to allow the movie to be a part of the expanded universe to come. Also you do this so that Halle Berry can play the role in this film, and continue playing it in later Catwoman appearances.

First you establish the more gritty world of the Christopher Nolan films, moving away from the earlier Batman silliness, you have this film dark, sexy, and fairly true to the comics. It sets the stage for the Christopher Nolan Batman films soon to follow.

As much as the original Catwoman film was mainly about how great Halle Berry looked in the tight leather outfit, you make this film an even sexier movie with the remote control, and a better one as well. It is now fairly well received among fans and critics, with Halle Berry even getting a nomination for an academy award, one she doesn’t win. The film however (with your new changes) now wins for best score, special effects and costume design.

Catwoman is now also a commercial success, instead of losing money as it did originally, it does a healthy $400 million on a budget of $100 million.

You have Halle now play Selina Kyle, with a background true to the comics. She is a talented thief, at the beginning of the film Selina is seen trying to break into a chemical production facility operated by Carmine Falcone.

You have Selina Kyle wear a disguise, playing to her beauty, but also pretending to be lab staff. You show a flashback of Halle Berry in a bar seducing an older man, getting him back to his place after some drinks and fucking him for all he is worth, wearing the older man out.

You show a gritty and realistic sex scene, with the young and beautiful Halle Berry in a fully pornographic fuck with the older man. She sucks his cock like she is on a prom date with him, and fucks him without protection.

The first time he orgasms he tells her he is close he is fucking the ebony beauty doggy style. She slides out from in front of him and sucks the cum out of his cock, and then she teases him to get him hard again.

Halle Berry is shown kissing and licking his cock, cleaning it of any cum remaining as she looks him in the eyes, then she gently sucks his balls as she massages his cock, getting him hard again.

Then he fucks her again this time finishing with her riding him cowgirl style with her big tits bouncing beautifully. When he orgasms he does so deep inside of her.

She climbs off of him, and smiles as she sees his eyes close, and as he starts to snore. She leans down and kisses him lovingly on the forehead before putting on her clothing.

In this version of events Halle is in her late teens, and in her absolute prime having been made younger by your edits. Recently she has gotten very much involved in graphic sex acts on film, and this move it no exception. Her lover in the scene is a somewhat overweight man who looks like he is on his sixties, and when she is finished fucking him, you see her with a spring in her step, but the older man is on a deep sleep, exhausted by his younger lover.

Selina Kyle locates his access badge for the lab, and takes it with her when she deftly climbs out of the window. She then is seen altering the ID to have her picture, albeit with glasses and a wig to change her look a bit, and an assumed name, Patience Phillips. One of the things you keep from the original film is her former name for the film.

Selina accesses the facility and you show it to be Axis Chemicals, the facility seen in the Tim Burton Batman film where the Joker and Batman fought in the 1989 Batman film. You are going to tie into the past where you can.

Selina uses the ID badge she has and also uses her beauty and feminine wiles to access more and more of the lab.

At one point she stops at a computer terminal and accesses the camera system, and is shown splicing footage, to show a hallway and a large lab with static empty footage that appears to be live.

She then moves on through the large facility before finally finding the inner lab she is looking for, which features a very large and very secure looking safe.

Selina glances at the two cameras and smiles, pulling out a small spray spray can and spraying it over the camera faces, just in case someone fixes what she did to the video feed.

Selina then takes off the lab coat she is wearing so she can move a little better, and now you show Halle Berry in a form fitting blouse with some extra buttons open to show off some cleavage, and in a tight business skirt that shows off her beautiful legs and her amazing ass. Her body being a wonder to behold, it looks great in tight office attire.

She begins work on the safe, and when she cracks it open she wastes no time, finding a folder full of files market secret, pulling out a small camera and taking pictures of the pages. You show a brief flashback of a high paying customer wanting some trade secrets form Axis Chemicals.

She hears someone coming and quickly returns the file, closing and securing the safe. In quick and fluid motions she pulls her lab coat back on, and puts what looks like a small memory card in her mouth, she has placed in a small rubber container to protect it.

She then drops the camera in a waste basket, before turning and walking towards the door. Lastly she puts the fake eye glasses back on and fixes her hair as she door opens.

Selina looks confident, she is a very accomplished thief, proud of her ability to walk out the front door more often than sneaking out a window.

The door opens, and so do Selina’s eyes as she is staring Carmine Falcone in the face, not someone she expected to see. Not here.

The defacto leader of the Gotham criminal underworld, Falcone is a mobster with judges, police and politicians in his pocket. He has tremendous wealth, but it pales compared to the power he has over law enforcement and politicians, he can literally get away with ****.

He is a violent man, and not a trustworthy one. If you made a deal with him he was as likely to betray you and **** you as keep it. She knows him, his terrible reputation is well earned.

Falcone has four men with him, all larger than he is, both taller and more broad. Halle Berry being only 5’5” tall, she is a foot shorter than most of the men, and over a hundred pounds lighter. Selina Kyle looks small.

She smiles and tries to slide by them, but as polite as she is, Carmine grabs her arm and holds her in place.

“Not so fast…Patience?” He says with a sneer, looking at her ID badge. “You could pick a fake name out of a hat…anything you want, and that is the bull shit you come up with? Come on…be original. You young people can’t even put any effort into a score these days, what is the criminal world coming to?”

She struggles but to no avail, Carmine drags her back into the lab, with two of the men staying outside while Falcone and two of his goons pull her inside as she struggles. You hear a scream as the door shuts, with the two large men guarding it.

The scene shifts back inside as one of the men strips Selina of her clothing, and the other searches the room. When she is naked, you give the camera a slow pan of Halle Berry standing before the three men completely naked in good light, and it is obvious that they are enjoying the show.

When they find the camera but with no mini SD card in it, Falcone gets angry.

“Listen here you little fucking tart,” he says, menacing her inches away from her face. “The game is up, you are fucking pinched…and if you think I am gonna call the cops you have another thing coming. You give me the little card for that camera, and maybe you get to shake that pretty ass again after today.”

He gets very close to her, leaning in, his mouth maybe a centimeter from hers. “If you don’t…you die here and now, and bad. You die real bad honey.”

As his character does later in Batman Begins, he obviously likes the sound of his own voice, he likes to talk.

“And whoever paid you for this fool’s errand doesn’t get what they want anyway. So save yourself some pain and me some heartburn and give with the memory card…ok?”

You show a look of fear on Selina’s face, which is soon gone when her eyes narrow, with her spitting in Carmine Falcone’s face.

“If you are going to kill me Mr. Falcone, let’s get on with it,” she says in a sarcastic tone. “I don’t scare easily old man, I doubt you will kill me anyway, you don’t know where that memory card is…”

Falcone’s men move to strike her, but the older mob boss stops them with a smile, then he slaps her quite hard, perfectly willing to do it himself.

They stand her back up, and Selina Kyle is smiling, as they stand her up her tits jiggle, and it looks like she is turning on the feminine charm.

She looks at his men, and tries to tempt them, “like what you see boys? Kill this old man, and I would be very thankful, a night with me would change your life…”

Falcone smiles and laughs, “you are young…I don’t think you are going to make it to my age, but if you do, you will learn that certain types of men are good to have around.”

He slowly paces around, then stops to face her, looking serious, “the sort of men who would betray me to have a night with a whore like you? The perverts who drop all their money at the strip club on whores, they have their uses. Primarily they make me money, a lot of money.” He smiles and continues, again moving in close to her, “the men who I keep near to me aren’t perverts, they are sociopaths, men without conscience…men willing to kill for the entertainment of it. Men willing to beat a pretty thing like you to **** if it is what is needed.”

“I prefer my men more interested in seeing what your beating heart would look like while you are still alive to fucking you,” he continues in a terrifying monologue. “Men who would see how far up your ass that pole over there would go before it killed you, that is who these men are honey. Save the seductress routine for the whorehouse…”

He then gives her a hard slap on the ass, “as beautiful as you are…Miss Kyle,” he says, and Selina’s eyes go wide, he knows who she is, that isn’t good. “You aren’t going to fuck your way out of this…give us the memory card, or we will cut you open until we find it.”

Selina sees his men pulling tools out of drawers in the lab, vicious looking tools. Some tools that look built for surgery, others looking even more sinister. She changes her tune, extending her tongue to show the little rubber capsule the memory card is in. She takes it and hands it to Falcone, who takes it from her gently and smiles.

“That my dear, was a good choice…” he says gently. “But that doesn’t finish things here…who paid you to break into my lab?”

He is standing over her again in a menacing way, “who thought it was ok to rob me? To steal my stuff? I am gonna need an answer to that Miss Kyle, and fast if you know what’s good for you…”

Selina Kyle looks around nervously, now tied up and at the mercy of some very large men, there isn’t a way out.

“I never met anyone face to face, I don’t know who…” she answers before being slapped hard.

“Don’t lie to me missy, don’t you fucking lie to me!” Falcone screams at her. “I need a name, I need details…everything you know, or you die in the worst way we can imagine…”

You show Selina Kyle steady herself, sometimes there isn’t a way out. She doesn’t answer, she just looks into the eyes of the old mafia boss with an intense glare.

He leans in close, “you aren’t scared of me, are you Miss Kyle? At least not like you aught to be at least…” he says with some annoyance. “Now who would you be so scared of that you would be willing to say nothing and let me and my boys mistreat you? Now that is the question, isn’t it?”

You show a flashback of Selina climbing back into her apartment through a window, and there waiting for her is Henri Ducard, played by Liam Neeson. Very well dressed, and very calm, just sitting in the darkness waiting for her.

You show a quick introduction, with Ducard introducing himself, then going into deep detail of Selina’s life. He is polite but is indirectly threatening of her, describing nearly every aspect of her life. While Selina Kyle is an orphan and a thief, she has a code of honor, and there are people in her life she has become close to.

He describes an elderly neighbor with a young grandson having a hard time, Selina gives them money to help pay their rent. A female friend with an abusive ex husband, who Selina convinced to abandon all contact through ****.

And there are others, not many, but other close contacts who Ducard makes clear will suffer if she betrays him. When Selina tries to go for a gun she has, six men dressed all in black, ninjas from the League of Shadows appear from all corners of her small apartment. She freezes in places as she sees swords touching her from six directions, she looks and sees Ducard holding her pistol, a small 9mm semi automatic.

“You should take better care of your weapon Miss Kyle,” he says causally as he inspects it. He unloads it then in one movement takes the slide off of it, and is very shortly looking down the barrel. “Not fired often, and not recently…” he continues in steady tone. “But also not clean, and what good is a weapon you don’t carry Miss Kyle?” He asks softly.

“Our true weapons cannot be stripped from us Miss Kyle,” he says, putting the gun back together, loading it and handing it to her. “They don’t require ammunition, although they do require training and maintenance.”

He turns her back to her as he paces around a bit, and she looks at her pistol, and at all of the men in her apartment, wondering how many she could shoot before they killed her.

At this Ducard turns, “do be careful though, as some shots must succeed on their first attempt. I am not a person you want to point a weapon at, I also need not be your enemy…”

Ducard then breaks down his offer. He doesn’t explain the League of Shadows, he just offers her a job. With the highest pay she could ever have imagined. Not wealth, but a fresh start, her slate wiped clean. Her identity erased from existence, and of course a lot of money.

“I do not posses the ability to do this for you, but I can help you to find what you are looking for Miss Kyle,” he says in a proper tone. “We will see that you are given the opportunity to obtain what you are looking for if you help us.”

For this Ducard asks of her a burglary job, and a difficult one. Ducard requires information held by a Gotham chemical plant for his own uses, and if she can obtain what is needed he will ensure that her identity is erased form any and all record, paper and electronic.

He cautions her however, that failure would have dire consequences, and that betraying him would cause the painful **** of her, everyone she ever knew, and every person in Gotham just for the aggravation she caused.

And then there was a sharp pop and a bright light, and just like that Selina Kyle is again standing alone in her apartment. She is shaken, Henri Ducard has made quite an impression on her.

Back in the room with Falcone and his men, Selina Kyle is still staring at Carmine Falcone, “I don’t know who they are, but let me clue you in Carmine…you aren’t the scariest person in Gotham, and it isn’t close…”

Falcone smiles and nods, running his hand across her jaw gently.

“Let’s say I believe you, and you don’t know who hired you to do this, it won’t save your life miss Kyle. You seen things you wasn’t meant to see, you don’t get to walk away from this one.”

He starts to walk away, then turns, “but we won’t cut you to pieces to kill you, it will be a quick ****…that I promise you…more or less quick at least.”

They then blindfold her and gag her, binding her hands and feet, with one of the very large men carrying Selina Kyle over his shoulder. Still naked, but headed off to her ****.

As they walk he talks to her, as if it is just a normal day. “I do enjoy sex Miss Kyle, and you are beautiful, as far as you tryin to get me all hot and bothered about you…”

“The thing is, I never really go into…you know colored girls, your type just isn’t my thing.”

Carmine Falcone stops at a catwalk over a large vat of chemicals, waste products from the various chemical products produced there. As illegal as much of his enterprise is, much of the chemicals are quite harmful.

“Our waste is quite impressive actually, we got some Benzne, some Chromium, some Cadium, some Arsenic, hell I think we even have some ammonia and some acid in there somewhere.” He says in a tone that shows how proud he is of just how much pollution his company has created. “Don’t know what your body will look like on the other side of this, but I’m guessing identification won’t be possible…lucky thing you are an orphan I suppose.”

You see Falcone put his handkerchief over his mouth and nose for the fumes as they approach, “goodbye Miss Kyle, sorry we had to meet in this way…when I’m gone, throw her in the vat, make sure she doesn’t come up for air.”

He then walks away, and he laments her looming ****, “shame really, you were quite beautiful, and a thief can come in quite handy.” He says softly, “but you just saw too much…”

He gets to a lab worker in full protective gear with a gas mask on, “give it an hour and then drain that tank…I want the waste sealed in drums and stored, not in the bay, out to sea…got it?”

You show Falcone leave, and when one of his men sees the mob boss to his car, he makes his way back to the lab room, where the other three goons still have Selina Kyle, naked, bound and gagged and tied up.

Her blindfold is removed, and you see hope on her face, maybe his men mean to spare her, but as one of them locks the door and closes all of the blinds, she knows better.

“Mr. Falcone had us about half right, we do like hurting people, that is a part of the job,” he says in a creepy tone. “But my dick gets hard like anyone else’s, and damn you got a nice body honey…shame having it go to waste.”

You then show a quick cut sex scene of the four goons taking turns **** Selina Kyle, and in an increasingly hostile manner. She does her best to appease them, having survived for so long she just wants to survive, but she learns why Falcone being half right was about them was so bad.

They do like women, but they are indeed sociopaths without conscience. They enjoy hurting her, and they will likely enjoy killing her.

They slap her, they **** her, and they use cords found around the lab to whip her back and her ass.

As they continue to fuck her they hold her at awkward and painful angles as they fuck her. It is obviously meant to be painful and humiliating.

At the end when she is exhausted and being held down bent over a table, one of them leans into her ear and tells her it is about over, that he has one more present to give her.

He lays his very large cock between her ass cheeks, “you have had this in you, but not in your ass…you see I don’t want to see how far I can shove the pole Mr. Falcone was talking about up your ass, I want to see if I can shove this entire thing up your ass, and I think you can take it all…”

“Look at it this way, you are dying either way, at least you gave us some entertainment before you went out…”

You don’t show this in explicit detail, moving through the rest of the **** scene pretty quickly. But it is clear this man fucks her in the ass, and then the others do the same, and it is obviously painful for her.

When they are done, the men secure her again. They bind her hands and feet, blindfold and gag her, and then throw Selina Kyle over the railing as Mr. Falcone had ordered.

You show her fall maybe forty feet into the thick liquid, and the goons watch for a few minutes to see that she doesn’t come up.

You then show the process Falcone requested, with the vat emptied and placed in drums, with Selina being inside of one.

Then drums of the toxic waste placed on a barge, and when they are well out to sea they push the drums over. Some were not well secured, and you see them open nearly as soon as it reaches the water. Selina’s body is shown floating in the water, and ending up on shore.

You show her body is scarred and burned by the chemicals, an odd shade of green, until a bright light descends next to her, and then another. It is Aphrodite, played by Beyoncé, and Artemis, another goddess played by Jessica Alba.

They speak briefly on what happened to Selina, and how this would be a sad end to such an unfortunate life, with Selina having experienced much hardship.

You show a quick flashback of her time leading up to being alone, with her mother played by Thandiwe Newton. You show an unhappy marriage, with Selina having an abusive step-father who drinks and hits her mom.

You show this very quickly, not dwelling on it, but young Halle is shown watching her stepdad drink and fight with her mom, and some creepy behavior is not shown but insinuated.

You insinuate that her stepdad watched her bathe, not showing anything directly, and then that his touches weren’t really parental, but little touches she didn’t like.

Her stepdad is also shown arguing with and then striking her mother. Then as Selina watches, he strips her mom and then holds her down and rapes her.

A major argument is later shown where her mother played by Thandiwe Newton accuses her husband of abusing her daughter sexually, an argument that becomes violent, and you show a very brief struggle where her stepdad kills her mother.

You show young Selina scream, and her stepdad grabs her and lays her over her mother, and the camera backs out of the room as it is insinuated that he is going to have sex with her, as she lays over her now dying mother.

The last thing you show is the stepfather looking like he is fucking someone doggystyle, then Thandiwe Newton’s face as you see her body shaking as it happens.

You hear the stepfather speak to young Selina from outside the room, “your mother couldn’t wait to see you grow into a woman…now she gets to see me make you a woman…”

The next scene shows Selina standing over her dead stepfather, with a gun in her hand. She grabs some money and a few things and you show her run, and start to live a life on her own.

Not happy, not thriving, but she revenged the **** of her mother, at least she had that justice. And this started Selina Kyle’s life on the street, learning to pick pocket people, to climb nearly any surface and break into homes and businesses, and how to stay alive.

The two Goddesses both each down and touch her, and Selina glows brightly, with the scars and damage melting away from her skin as she spits up toxic yellowish green liquid. With this you show a small rubber container just like the one she gave Falcone, it seems she had a duplicate that she gave the mob boss.

She then takes her first breath in some time. She was dead, now she is alive, given new life by two Greek Goddesses.

“Be whole again, Selina Kyle…” Beyonce is seen saying, playing Aphrodite. “Now is not your time to leave this realm, not just yet…”

The other Goddess, Artemis, leans down and embraces the young woman, opening Selina’s mouth, and breathing into it, with a visible blue light passing between them.

“She will be special now,” Artemis says. “She won’t be one of us, but she will live…and I have given her some special abilities.”

The two lights near Selina Kyle fade as she comes back to consciousness, and you show her take a deep breath and look up at the sky.

You show Halle Berry lying on her back on a small beach among the foamy water, naked and looking ****. But she also looks peaceful, and of course beautiful.