2013 Man of Steel.

In 2013 you return Shannon Elizabeth to Man of Steel, with the of Henry Cavill as Superman and Clark Kent. You having already put Henry Cavill into the role of Superman in Superman Returns in 2006, having cast Shannon Elizabeth in that film as his love interest. Also with her having told Clark that she bore a son for him while he was away.

The movie remains PG-13, but you include plenty of sex for Shannon Elizabeth as Louis Lane. As Superman lives in a world made out of cardboard, sex with a mortal human would be dangerous, he might kill them.

But at this point Superman and Louis have had a child together and have been a couple since 2001, before Superman left Earth for five years. They know how have sex safely for Louis.

But that is for later in the film. You treat this film as an origin story for Superman, where the 2006 film did not address Superman’s origin.

You leave the beginning of the film quite similar to the original release of this film, save for Kryptonians being far more hedonistic than shown in film, because in the new reality from the use of the remote control, pretty much all of human society has gone that route.

Outside of film, laws have changed, where same sex couples have full rights and freedoms, where people are allowed to have legal incestuous relationships, with even parent and child able now to legally marry. Also gene therapy known to exist is now prominent, where worries about birth defects for **** are now no more prominent than for anyone else.

Prostitution is now legal in most of the world, with Only Fans being the first of the modern sites for it, but hardly the last. When not working their craft, male and female celebrities now commonly sell their bodies to fans for sometimes massive sums of money.

So the world is getting far more sexual in general, following the changes in film, TV, music and video games.

The original had a scene where the Kryptonians were angry with Kal-El’s parents for conceiving their child normally, which is in violation of basic law on Krypton. Not just for genetic selection of the child’s future, there is more to it in your version.

Kryptonians have the potential in your cinematic universe to live very nearly forever, and to have nearly unlimited powers. The genetic selection is used in part to limit these powers and to provide a shorter life span for their people as their planet is overpopulated and they are trying to control the problem.

Also Kal-El’s parents rejected the conception ritual, where his mother Lara would have been fucked by a hundred Kryptonian men, with his father Jor-El just being a part of the genetic makeup of his child to be.

In your version Jor-El is an elder among Kryptonians, a throwback to what they used to be. He and Lara decide it best for the future of their race for their offspring to be unlimited in potential, and as in the film they face serious consequences from their government.

The film continues to tell the origin story of Superman, how Clark Kent tried and failed to remain hidden, moving around as people realized his powers.

Then in 1999 you show Shannon Elizabeth, just as she was for American Pie at the time, working as a senior in high school as a part time reporter for the Daily Planet, trying to make her mark as a reporter.

She meets Perry White, and you see they have chemistry right away, as the youthful Shannon Elizebeth had beauty and a smile that could open doors for a reporter.

The film continues as Clark finds the Kryptonian ship, moving it to a more remote location so he can learn of his past.

It is around this time Clark Kent meets Louis Lane for the first time, when she tracks down the farm he grew up in and she starts digging. Looking for a reported mysterious person, maybe an alien visitor.

Clark meets her, explaining who he is, and how he promised his father to protect his identity, causing her to drop a story she was writing about him.

You then show Clark and Louis strike up a friendship and eventually a dating relationship, as she helps Clark get a job at the Daily Planet.

Then as Clark and Louis begin a sexual relationship and speak of their future, Clark continues to study his people in the Kryptonian ship he moved to the arctic, and he believes he has found evidence that his people might yet still have active colonies, and perhaps Krypton was not destroyed as it was thought.

At this point he leaves Earth to find out, and you show the events which took place off camera in Superman Returns, although quite briefly. Clark uses the coordinates gained from the Kryptonian ship to find various Kryptonian colonies, but all are destroyed. And when he gets to Krypton, he finds it destroyed, a debris field in space is all that remains. But he learns that he cannot handle contact with Krypton, as his decades in space and on earth have not allowed him to become accustomed to it, and he also verifies his father’s theory that absent the very odd radioactive properties of Krypton that their people would have great power.

You then show him return to earth, in a scene similar to the beginning scene of Superman Returns, where you now return to present day with a title card. You show Clark and Louis and their now 13 year old son Jon, as Clark and Louis guide him through life as the son of Superman. They help him to understand his abilities, and learn to control them.

You also show a couple of beautiful sex scenes with Henry Cavill and Shannon Elizabeth, as they work in Metropolis at the Daily Planet.

You show a sexy scene where Louis and Superman kiss, and make out pretty passionately. You show him groping her beautiful breasts and ass, but very gently, and you see her try reach into the front of his suit, but she can’t move it.

You have Superman lower the pants portion of his suit, exposing his cock, and as her hand grasps it, Shannon Elizabeth smiles, “man of steel indeed…”

You show her give him a handjob and then a vigorous blowjob, but when he is getting close to orgasm he stops her, “remember Louis, this would hurt you if you took it directly…”

He lies back and let’s her finish him with her hands, where Shannon Elizabeth gives him a fast paced two hand handjob. When Superman orgasms, she hears it but doesn’t see it, as if his semen has left atmosphere it left his body with such ****. She moves his hand over his cock to stop several additional spurts of cum,

“I guess that would be a bad day if you were still in my mouth,” she says, her face showing her amazement. “I am lucky you figured that out before we had sex back when we met…”

“You remember, like most young men, when I was in my teens Louis,” he replies. “Remember you were giving me a handjob and blew a part of the roof of our barn off? That was an awkward thing to explain to my aunt.”

You show this in a brief scene where Shannon Elizabeth is giving Henry Cavill a blowjob, and when he is close he leans back to enjoy it and Shannon jerks him off till he finishes. She doesn’t see it but hears a sonic boom as he cum blows holes in the barn roof and exit’s earth’s atmosphere.

“I didn’t know a Kryptonian and a human were compatible to mate, but I am glad we were able to have our son Jon…” Clark says, thinking about that time years ago.

Clark is shown looking down at his beautiful lover as she cleans the cum from his hand with her mouth. “I would love to finish inside of you, as our bodies call for us to, if only I wasn’t going to kill you when I finish,” you show Superman with a sad look on his face.

Shannon Elizabeth smiles as she sees his cock stirring, “well you have some superhuman virility, how about your control? Can you hold back? It is only right that you get to feel the warmth of a woman again Clark…”

You then show a brief sex scene between Louis and Superman, not terribly explicit, but that is quite beautiful to look at as Shannon Elizabeth and Harry Cavill have never looked better. Both being in tremendous shape.

You show how careful Clark is in handling his lover, how she does most of the work while they have sex. And the two of them really seem to enjoy it, with Shannon Elizabeth and Henry Cavill staring into each other’s eyes and kissing through most of their fairly brief sex scene.

It ends with Shannon Elizabeth giving Superman another handjob, with the same result. Again she moves Clark’s hand to stop his semen, and again she swallows all that he has caught.

But this time there is a drop of cum on his cock at the end. She strokes him a few times to make sure no more spurts are going to come out, then she leans down and sucks the tip clean.

“That is a different flavor for cum,” Louis Lane comments. “It never has been bad mind you, but different. I always feel healthier when I swallow for you Clark…”

The film continues, but with small changes. Zod arrives and demands Kal-El be given to them in one day or he will destroy the Earth, and the US government tries to find him.

They know of Superman, but not how to find him if he doesn’t want to be found. The do find out that he has a long term relationship with Louis Lane and a teenage son with her, and they take her, but miss his son Jon, who is with Clark’s human mother Martha.

Superman shows up and cooperates with them, and his conflict runs its course, except with Zod very interested in Louis, and in their son which he has heard of. He intends to test Jon to see if he is indeed Kryptonian, or perhaps some worthless human half breed.

And Zod smiles as he looks at Louis, saying he will enjoy sexual experimentation with her to see how her body reacts to the Kryptonian way of reproduction.

She asks what that means, and he explains that it means fucking him and all of the other living male Kryptonians, but that they will use the technology they have to engineer their offspring to be even more powerful than they are already.

They need fertile women, and if Louis can bear Kryptonian children she will be used for breeding stock.

“We have a society to rebuild,” he says menacingly. “And if you can serve that purpose you will outlive every other human on this planet. Until we have sufficient numbers of Krypronian females, then you will be put to ****.”

The battle at the end goes much as it did, with the world engine causing a lot of destruction, and with Clark battling Zod. When Zod gets to the Kent farm, he threatens Clark’s mother and his son Jon. Jon tries to fight but is beaten quickly, as his powers are not fully realized, and this spurs Superman to defeat Zod.

As the film wraps up, you show the US government has more trust for Superman, and commits to leaving him and his family alone, redacting and classifying all documents regarding his identity.

Clark and Louis then return to the Daily Planet to work again as journalists, with Perry White forgiving them as they come with a story with verified sources inside the US government on the aliens seen on planet in recent years.

You show Perry white lament that there have been others, with a reported alien attack in New York as well, and he hates not knowing anything about it.

Then in a mid credits scene you show Superman’s son walking through Metropolis, leaving his high school. He is trying to avoid attention, just as he has been taught, but you see a man in a Lamborghini watching him.

You see this is Christian Bale, who still plays Bruce Wayne in your cinematic universe. He seems to suspect something about the young man he sees walking down the street.

“I found him Alfred,” Bruce Wayne says. “Looks pretty normal to me…”

“You well know how people might hide in plain sight, don’t you master Wayne?” Alfred replies. “The shares you desired in the Daily Planet have gone through, you should be in a position to take it over within the week…”

As Bruce Wayne drives away quickly, and as Jon Kent marvels at the fancy Italian supercar, you play Batman’s theme from the Christopher Nolan films. Showing Christian Bale is not yet done wearing the cowl.

You have this as a very well received film, one that makes more money than any DC project in the past, solidifying it as a foundational part of the DCU being built.

While Shannon Elizabeth doesn’t win awards, she does again win critical acclaim for her portrayal of Louis Lane. She gets an Academy Award nomination, but not a win.

You finish up the film with a post credits scene that shows Steve Rogers and Natasha Romanoff in a hotel room, with Natasha coming out of the shower, with Steve Rogers as uncomfortable with her nudity as ever.

And you show that he has kept his word, still sleeping in the nude with Natasha for the bet he lost with her.

“Tomorrow we should get back to shield,” he says as Natasha snuggles up to him. “Thanks for coming with me Natasha, I needed this, to get back to my roots.”

“Anytime Steve,” she says seductively. “I mean that, anytime you need I will strip down and get under the covers with you big boy…and if you need company on a trip I will do that as well.”