You make a great and groundbreaking film even better.

Coming years after Batman and Robin, a superhero movie so terrible we were lucky to ever get another one, Batman Begins reset the Batman universe.

As much as the 1989 Batman was more dark and gritty, Batman Begins went even darker and even more gritty, on premise disregarding all prior Batman films.

The movie begins as the original did, with young Bruce breaking his arm and becoming quite fearful of bats, and with his parents being murdered by Joe Chill.

As in the original Joe Chill is set to be paroled cooperating against Carmine Falcone, and Bruce Wayne is back in town and witnesses Chill being killed, robbing him of his ****.

You keep the film as is for the most part, except that when Bruce confronts Falcone, it isn’t in a restaurant but in a strip club. You give the film some early nudity, and a location more likely to be where a mafia boss would hang out for long periods of time.

Bruce ends up in a foreign prison, he meets Henri Ducard as he did and trains with the League of Shadows, all very similar to the original. Few changes are needed, Batman Begins is a very good film on its own merit.

Things pick up when Bruce returns to Gotham, and starts to investigate Wayne Enterprises, and also what has happened in Gotham and in Wayne Manor during his absence.

He finds crime spiraling out of control in Gotham, with Carmine Falcone thriving as the defacto king of the Gotham underworld. He finds Wayne Enterprises in a state of flux, headed for an IPO, which as wealthy as the Wayne family is, a public offering would make him far more wealthy than ever.

And Bruce finds out that Wayne Manor was burglarized. Alfred has kept up with security, and more attempts were made than succeeded, but some did succeed, and some valuable artwork was stolen. Bruce watches the video of a woman with a beautiful body dressed all in black infiltrating his home while he was away, and deftly making off with two extremely valuable paintings and some high end jewelry.

“This was a year ago, this woman seems quite talented Master Wayne,” Alfred says as Bruce watches the video. “Gotham‘s finest came by and investigated, for all the good they did. No prints left behind, and she wore a mask, so nothing to go on really. And the artwork hasn’t turned up on any black markets so far, suggesting it ended up in a private collection somewhere. She was likely paid quite well to procure them…”

You show a flashback of Jim Gordon being at Wayne Manor to investigate the break in, and show his displeasure with his partner’s overt dishonesty. His heavyset partner Flass takes up Alfred on an offer of coffee and lunch, obviously more interested in the fine food than in solving any crime.

When he hints that Alfred bribe him to get the case solved, Alfred politely tells him that the Wayne foundation will continue to support law enforcement, and that he trusts that they will do their best. But Alfred knows better.

You also show Jim Gordon at home with his wife and daughter, with his daughter being played by Rosario Dawson, some years younger than in reality at this point. You show some disfunction at home as his wife doesn’t seem happy with how often he is away, or that they don’t make much money for Jim Gordon staying honest and not taking bribes.

Back in modern times Bruce meets with Lucious Fox and starts building the Batman persona and gathering the equipment needed. This goes as it did originally.

You also show Bruce meet his childhood friend Rachel Dawes, who is now played by Jessica Biel, who as always is stunning in her beauty.

Their reunion is quite a lot steamier than in the original, with an awkward silence leading to a kiss, leading to a quick but intense sex scene up in Bruce’s bedroom.

You show Bruce and Rachel going at it, desperately, at times angrily, in a sex scene without romance. Bruce inseminates her and Rachel is furious, angry he didn’t pull out and didn’t bother to ask if she was on birth control.

This leads to Rachel walking out on Bruce, souring their relationship. He has regret, but he can’t dwell on it. Bruce dives deeply into the public life of a playboy billionaire, but only on the surface.

You show him with models on each arm out on the town driving his Lamborghinis, but at the end of the night he tends to leave them behind to don the cowl and fight crime as Batman.

You then see him meet Jim Gordon as well, as in the film, with the only addition being a picture of Gordon’s daughter Barbara, and you show a picture of a smiling Rosario Dawson.

As he interacts with Alfred, Bruce becomes focused on organized crime in Gotham and stops looking for the beautiful masked woman who burglarized his mansion. She is on his radar, but she is not easy to find, so he can only look into other high line burglaries, trying to find her. But for now he gives up on that chase.

When he saves Rachel from Falcone’s goons, it is now obvious they meant to **** her and kill her, as Batman arrives as they have **** her off to a corner and had partially stripped her clothing off.

One of the men is taken away quickly as the other is shown pulling out his cock as he moves between his legs. Rachel screams for him to stop and then he is pulled away from her and thrown against a wall. Batman finishes the goon off with a couple of punches and then returns to Rachel who has pulled her shirt back down over her tits, trying to regain her composure.

And like in the original film she tries to use a tazer on him, and it doesn’t work. But he does give her evidence on Carmine Falcone as well as leverage on a corrupt judge to try and get a conviction.

You see Rachel going over the evidence with Gotham’s DA, and it is shocking. You see Falcone on video being present for **** shipments, murders, human trafficking and ****. Such is his overconfidence that Carmine Falcone practices no restraint, no discretion at all. He is seen fucking a series of women who were trafficked to work the streets for him as prostitutes, and he does so without any care at all for their condition.

Batman then interrupts a **** shipment when he captures Carmine Falcone, who is caught at the scene of a very serious crime, the importing of quite a lot of illegal ****.

Falcone is arrested and then sent to lockup where the villain Dr. Crane gasses him as in the original.

This time however instead of the gas causing frightening images, it causes erotic and taboo images. Carmine Falcone now sees pornographic images everywhere he looks, and what it causes is sexual madness over time.

When Rachel Dawes walks away from Falcone, who is still in the custody of law enforcement, you show a beautiful black police officer slip past. She is in a cumbersome police uniform, wearing a police officer’s hat and some heavy glasses, but you show a quick smile to show it is Halle Berry in costume.

Selina Kyle is shown entering the room with Falcone as he hallucinates under the effect of Dr. Crane’s gas. A brief scene is shown where Selina Kyle disables the camera in the room and then takes off her hat and glasses, showing Falcone who she truly is.

Unfortunately he is far too out of it, still seeing nothing but erotic and pornographic hallucinations. When he sees Selina Kyle he doesn’t see her beauty, instead he sees her as a vengeful mistress. She is dressed all in leather and carries a whip, now looking even more the part of Catwoman.

You show her try to tease Falcone, climbing on him and mounting him in a seductive manner, but as out of it as he is, he doesn’t respond.

It turns out the whip he sees in his fever dream is actually a garrote wire she pulls out to strangle him with. Halle Berry is mounted on the mob boss cowgirl style in a very sexual manner and appears close to orgasm, riding him as she tightens the wire around his neck.

She smiles and whispers in his ear as she ends his life, “it is a shame you’re not into…how did you put it you racist fuck…colored girls? It might have saved your life, it certainly would have changed it if you had ever had your dick inside of me…”

Reminding him of what he did to her, letting him know that his entire criminal enterprise would die with him. He would not be remembered, and all for the senseless **** he could have avoided.

You then show Selina Kyle walking out of the police lockup, keeping her head down as she passes Jim Gordon, who takes notice of her. He does a double take and then when he sees Falcone is dead, he runs and chases her. But Selina is gone, vanished into the night.

As Batman investigates what is going on in the city, he is also sprayed with Crane’s gas as in the original, however he begins to hallucinate just as Falcone did. With wild and erotic sexual dreams.

Bruce Wayne is in grave danger, but as he collapses and tries to use his grapple gun, he drops it, unable to function.

As a crowd approaches Batman, you see someone stand over him and pick up the grapple gun. The camera pans up to show Halle Berry’s amazing body in her skin tight black suit standing over Batman, protecting him.

Catwoman uses the grapple gun as if it were a firearm to hold off a group of gang members who happened upon the fallen Batman, before she grabs Bruce and fires it up high, pulling the two of them to safety.

You show her looking after Bruce, and his vision of her is different, he sees a taboo and pornographic version of Halle Berry. A young woman in a room full of men that she fends off as she tries to help him. As she tries to talk to him, Bruce hallucinates that many men fuck her one after another in a wild dream sequence that shows Halle Berry become covered in gallons of semen as cock after cock fires unbelievable cumshots at her face.

It is a bizarre and hyper sexual vision Bruce is having, and you show it in pornographic glory. Using various scenes in other films to add cum facials on Halle Berry to the mix.

Breaking from the hallucination you show her find his communicator and call Alfred. In your version Bruce Wayne is far too out of it to summon his butler.

You show Alfred pull up in his Rolls Royce, and Catwoman is shown lowering Batman to him as he approaches.

She doesn’t stick around, Selina nods to Alfred and then departs quickly, disappearing into the night. With some struggle, Alfred gets Bruce into the car, continuing the film.