Comments on Episode 1

There were a couple of changes for the second series. The setting just outside the mansion, which was designed to allow the Brigata some increased civilisation with the servants as well as making the more private places of the mansion easily accessible, just in case the Brigata got too excited again.

The Brigata wore more risqué clothing. Naturally we chose warm days to film on so no one was too cold in the flimsy chemises. If they were standing the chemise almost exactly met the top of the stockings. Once again, like in P&P, we seemed to have a great effect on nightclub attire back in Britain, but how the poor young women do not freeze to **** is beyond me.

The men’s braies, being baggy shorts, were not quite so sexy on their own but erections were very noticeable and of course there always seemed a constant danger that the beasts would escape. The men were lucky to be wearing bright colours and stood out like peacocks. We did think of having the women wear pastel shades but if clothing was coloured it was more usually bright so we went with classic white.

If you have read the original you will be aware that we had to up the ages to avoid getting into trouble - explicitly mentioning that they were over 18 dealt with that little difficulty. Unfortunately none of the female Brigata look like sisters (at a stretch Monica and Selena) so I chose 3 of the girls of Southern European descent, ruling out Monica because of the age. To be honest, Aria was not a very convincing 19 year old either. I briefly had the idea of 2 Selenas as identical twins, but I did not want to wear the poor girl out.

I did try to get hold of Tabitha Gash for the role of the Cretan woman, as a treat for Ed, but sadly she was unavailable so I chose Eva because, like Monica, there is an air of haughty aristocracy about the way she looks and acts.

Technology has moved on so much that during the repeats and delivery by other media that the viewer can almost become the director. For instance the consumer of this episode was able to switch between each couple during their wedding nights so they could concentrate on the favourites or watch them all. In order to maintain the integrity of the director’s (my) vision (constraints) then the initial showing is the same experience for everyone.

We made use of a couple of individual talents in this episode. Aria’s projectile orgasms I knew about and seemed to fit with the character. Although he had seen videos, it was still hilarious to see Ed’s surprise at the sheer **** and volume of the stream, which moved to astonishment as she came time and time again. The younger girls asked Aria for tips, but she was just a natural.

After my first year of University I went on a mate’s stag do to Prague and we ended up in a brothel. That experience shaped my life because she was a much better fuck than any of my girlfriends up to then. She also told me she was trying to break into the porn industry. Back at home I decided to increase my knowledge and visited a local parlour. I struck lucky because the girl I chose was an ex-gymnast and she showed me positions I had never even dreamt of. After a few more lessons which I am pretty sure were mutually enjoyed, I decided to make my hobby my career, which is how I ended up here. It turns out Ariana had also trained as a gymnast and almost made the US team alongside her career as a young entertainer. After this Ariana not only became more attractive to me, but I began to think of how we could use this in the show and hence the leg stretch in this episode.

If you are wondering about the man and the woman serving the Brigata at the start, that was me and Jacqui. I speculated whether we could do something more than just a Hitchcock style appearance.