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Chapter 36 by keron keron

What's next?

A late entrant

Britney glares at you while she gets dressed. The guys thank her and send her out, promising to let her know if she got the part. You also get dressed and the auditions resume. The next few girls are dismissed quickly, although you do let a cute hispanic girl go all the way to the sex scene and you allow Wilbur to fuck her. She's a lot more enthusiastic than Britney and even continues to make out with Wilbur after he cums inside her, convinced that she can get him to give her the role.

The next girl is a tall african american girl, and you let Chris have a go since he's been doing a good job. Unfortunately, he pops inside her shortly after she jumps onto him. She looks confused and worried at the same time, since she wasn't given much time to act out the scene. Nonetheless, Chris got his satisfaction, albeit a short one, and you dismiss the girl.

You keep going and alternate between the guys on who gets to fuck the girls. Wilbur got to fuck the girl who had asked you for directions to get here. You're recovered from fucking Britney, but you decide to wait until you find someone really exceptional. Unfortunately, after a couple of hours, Christina comes in and that the last girl has come and gone, without you finding someone satisfactory to bring back to the mansion. Additionally, you had avoided getting involved in any of the action for a while, and that has caused you to pitch a huge tent in your pants that even Christina is finding hard to ignore. You consider bending her over the table and just taking her right there in front of the two dudes, but you decide against it since she's been so helpful and hardworking today.

"Fine, I guess that's it then," you say and Christina leaves. However, as she steps out of the room, you hear her greeting somebody. She's only partially closed the door behind her, so you can still hear the conversation outside.

"Hi! Sorry I'm late. My agent's handwriting is illegible, so I got lost and couldn't find the place. Is this the casting for the movie of this book?" the person asks. You can't see her but she sounds sweet.

"Book? Um, I'm not sure. Sorry, auditions are finished for the day," Christina responds.

"It's okay! Send her in!" you shout and there's a pause outside before Christina pokes her head back into the room.

"Are you sure? She hasn't signed in."

You shrug. "Um, yeah, get her to sign in, then send her in," you say, remembering to play along.

Christina nods and goes back out to get the last arrival to fill in the form. Minutes later, she comes back into the room and hands it to you. You see that her name is Haley Bennett. Out of curiosity, you look up the name on your phone and there's an actress by that name although you've never seen any of her movies before.

"Okay, send her in," you tell Christina, who goes to open the door and beckon the late entrant in. In walks a beautiful girl with long blonde hair and a slim hourglass figure, perfectly emphasized in her tight white dress. Christina leaves and closes the door.

"Hi! I'm sorry I'm late!" Haley says apologetically and comes up to shake Chris and Wilbur's hands. You step up between them and offer your hand. Her hand is smooth and soft. "My agent gave me this note about the casting, but I couldn't read the writing!" She waves a note in the air and you take it from her and look at it. The handwriting is indeed very difficult to make out, but you can sort of figure out that she's supposed to be in a building across the street. She clearly has the wrong place since she's a real actress.

In her other hand is a book and she holds it up. "I know I'm the last girl and y'all are probably tired and want to move on, but I've read this book from cover to back and I think I'm perfect for the character." She's holding up a book called "The Girl on the Train" which you haven't read. You assume it's a bestseller that's being adapted into a movie.

"Well, you look the part, but we were really looking for a professional who respects our time and isn't going to be a diva on set. I'm sorry, but we've had some really good auditions today and I just don't know if it's a good fit." You cross your arms and pretend to be annoyed, hoping it would make her more **** for the role. You've read stories about casting couch stories in Hollywood and assumed they were exaggerated, but maybe you'll have some luck.

"Please, please, just give me a few minutes of your time uh..." Haley blushes as she realizes she doesn't know your name.

"John," you say.

"John. Please," Haley bites her lower lip and looks over her shoulder to make sure the door is closed, before she drops her purse and book on the ground. She then grabs the edge of the table where Chris and Wilbur are sitting, and in one swift motion, swings her legs up and sits leaning to the side on the table.

"Woah," Chris says. The bottom of Haley's dress is right in front of him, and while her legs are together, if Chris bends down, he can probably see up her dress.

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"Please," Haley repeats in her sultry voice. She ignores Chris and Wilbur and only has eyes for you, having identified you as the decision-maker in the room. You gulp. Even though you've seen plenty of action in this room already and even fucked one of the girls yourself, the woman on the table is in a whole different category who oozes with sex appeal. For the first time since coming into possession of the magic rings, you find yourself being nervous in front of a girl.

"Uh... do you want to read the lines?" you ask.

"Nah, let's skip that. I'm sure you've seen my reel. This is not my first rodeo. I know what I need to do to get the part," Haley licks her lips seductively.

"You do?"

"Yes. So what is it? You want a blowjob? Bend me over this table? Anal? I'll even do these 2 guys," Haley pats Chris and Wilbur on the head like they're children, "if that's what you want. Just promise me the part, and I'll do whatever you want." Haley slips off the little boots she's wearing and throws them behind her, before blowing you a kiss. Chris and Wilbur turn around to look up at you, awaiting your decision.

What do you decide?

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