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Chapter 3 by Panty smasher Panty smasher

How does she recognize it??

She doesn't. However she does recognize His mother's maiden name

She could have sworn she heard it before, as if some ancient familiar name that cried out to be remembered.

But she for the life of her, she couldn't remember.... Drawing a blank. It was quite odd .

Julius looking at her struggling, decided to try to help her out. He was committed to this.

"Well, perhaps I think you might know of my mother's maiden Morris? Seeing as you're at the descendant of Van Helsing?”

"Morris....morris…morris" She said out loud, as if trying to draw in a memory,

"MORRIS , wait as in QUINCY MORRIS? The Texan cowboy?"

'Wait wasn't he the guy who stabbed alucard with a bowie knife dealing the killing blow' .

Integra thought _‘Oh this'll be fun to tease him with.’ _especially after That shit Storm he got her into with the Pope

“ bingo ', he said with finger gun, an a cheeky wink and an awkward smile,

"Even if I took Your rather tall tale as "The Lord's Truth". Answer me this? How did Quincy have a child"

"Let's just say he had a adventures with before he went to England.... That child is Whom I descended from, John Morris jr.

I don't know if your family knew, but he stayed in the states during the book. "(Because it was stupid of Castlevania to have John witness his father's ****, during their Trek across fucking Transylvania into Wallachia)

Damn it. He was right , The older manuscripts of Dracula did mention Quincy having a son named john in the states, Born to a native and black mix woman named kara. Unfortunately the woman was lynched, but their son had lived.

But young John, Quincy's widow status, his previous knowledge of vampire hunting from his father's employment under the Lincoln administration. Really All of his "subplots" of those events and details were as left out in the final draft, mostly not to harm the family and to give better narrative tension.

Along with the status of Adrian.

Quincy surviving was also left out. mostly for again narrative convenience.

To paraphrase what her great-grandfather thought of the man he was about as "queer as a clockwork orange"

too wacky to be considred real in late Victorian England. He had to die for a narrative stakes. Which is why every adaptation through him away.

Hardly any in a pre internet suspected that he was even close to being a real person.

"All right, I'll give you this. You did your research, But how do I know you're not lying. "

How will this Belmont convince her?

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