Several movies for her in 2012.

You start with Taken 2, where Jennifer Connelly reprises her role as Liam Nieson’s daughter. It isn’t a sexual role at all, and actually gives her some action on her resume, handling a gun, some grenades, and some aggressive driving in a taxi cab.

After Taken 2 Jennifer Connelly shows up as a Bond girl in Skyfall, as a seductive young woman named Sévérine who meets James Bond.

Her time in the Bond film is short, with a long and beautiful sex scene with Daniel Craig, which is both erotic and completely pornographic.

The scene begins with Jennifer Connelly naked in the shower and continues onto her bed on the yacht they are on, and he fucks her quite hard.

Her boss and lover, the film’s villain Silva, knows she fucked Bond and kills her, ending Jennifer Connelly’s brief run as a Bond Girl.

You keep Jennifer Connelly in her one original movie credit in 2012, Stuck in Love, but you alter the movie to fit her much younger age, now casting her as Greg Kinnear’s college age daughter.

The character of the daughter is sexually active with a series of one night stands, something you show quickly, but explicitly. You show a lot of nudity and sex involving Jennifer Connelly as she struggles with her anger at her mother for betraying her father.

Lastly you have Jennifer Connelly reprise her role as the former student and lover to Walter White, and you continue this awkward storyline, as the unlikely couple grapple with their problems.

Walter struggles with being away from his kids, and rashly moves back home, and Skyler responds by sending their kids away. She knows she can’t stop him, and she won’t turn him in, so she resolves to count the days until his cancer returns and he dies, solving all their problems.

He ends up moving back out in your version, returning to Jennifer Connelly, who talks about marrying him and bearing his children.

Walter is overcome by the show of affection, and tells the young woman that he loves her, and that no matter what happens, she will always be taken care of.

As the season progresses, with flash forwards to a haggard looking Walter White returning to town, as in the original release.

Soon Hank realizes Walter is the **** dealer he has been chasing for so many years, and it progresses to Walter seeing Hank murdered, just as in the original.

This work continues into 2013 for Jennifer Connelly.

You show a series of loving sex scenes between Walter and Jennifer Connelly, as he struggles with having great wealth, but not being able to be around his children and being estranged from his wife.

They appear to be a loving couple, and he is finally honest about what he does for a living.

He tells her the unvarnished truth and his young lover doesn’t mind at all. You show his visible relief at her not caring, finally someone who won’t judge him for how he uses his talents.

“You are my man Walter, I don’t care how you earn you money,” she says in a sweet southern accent. “If you know how to do what you love to make money, do it. People will sell **** anyway, and use anyway, I don’t care if you make it.”

“Women show their bodies and fuck for money, cops kill people for money,” she continues. “No judgement from me. I made money on a pole Walter, does that change how you see me? I made money on my back, having sex for money, do you judge me for the choices I made? It was only for a few months, I got away from those choices and I didn’t go back, but I made them Walter…”

Walter is surprised at her bluntness, but is not offended, “not at all Jenny, not at all. Maybe we are more alike than I could have even imagined…”

Things deteriorate as in the original release, showing Walter running with his young daughter before leaving her with the fire department.

When Walter eventually is seen to be in hiding, he isn’t alone, Jennifer Connelly is with him, as she was unwilling to stay behind, even when he offered her a million dollars to see her through whatever happened.

When Saul is sent to bunk with Walter, he is uncomfortable with Walter having his young lover with him, but he deals with it. You show a scene when Saul has his pillow over his head as Walter is getting a fairly loud blowjob from Jennifer Connelly on the next bunk over.

You later show her with Walter in his snowy retreat, in his tiny cabin, caring for him and loving him in his advancing illness. When his handler makes supply runs, it is Jennifer Connelly who opens the gate. And she learns to do the injections for the medicine Walter continues to be given, hoping he can beat cancer again and live.

You show her gathering wood for the fire, preparing food for them, caring for the cabin, showing quite a lot of value to Walter.

And you show a lot of gentle sex between them. As Walter is still weak, Jennifer Connelly now sucks his dick gently, and when she fucks him it is now sensual and slow, but still a beautiful visual. You show that they still have quite a lot of sex, one of the ways Jennifer Connelly tries to help keep Walter healthy. And it works, keeping his spirits high, which is crucial for fighting cancer.

Just before he travels to the bar where he contacts his son, distraught at his family’s low place in life, he finds out that his young lover is pregnant with his child. He smiles, and kisses her, marveling at her beauty. This is absolute prime Jennifer Connelly.

When he escapes the bar and heads back south, it is with Jennifer Connelly, and she helps him to gather the things he needs before what appears to be a tearful farewell.

“I love you Walter, I hope this works,” she says before they part ways.

The ever confident Walter White flatly tells her it will, “this will work Jenny, I just need you to play your part. Do what I said, and be as safe as you can. I will be along soon enough. Remember, be safe, it is important.”

He stares at her for a long time, “I love you Jenny,” he says as he embraces his young lover. His hand drifts to her stomach, and he leans into her, they have a child on the way.

“I love you too Walter,” she replies tearfully, “I will be careful.”

A bit later in the show, you show Jennifer Connelly dressed in biker leathers, and drinking at a run down bar as Jack, his second on command Kenny and his nephew Todd walk in.

They all notice Jennifer Connelly, who looks amazing in her youth. The biker leathers look fantastic on her, showing her beautiful round ass in tight leather pants, and with generous cleavage showing from her tight shirt.

She gives Jack Welker a lustful look that shakes him to his core. He breaks from them and walks over and offers to buy her a drink, before Todd breaks in.

“Uncle Jack,” Todd says, breaking his uncle Jack’s trance. “We are here for business, maybe this can wait until later?”

“Mind your fucking business Todd, I don’t want any of you fuckers cock blocking me on this,” Jack says roughly. “Go get a table and meet our guy, I will be along when I am good and fucking ready!”

You show Jack and Jennifer Connelly talking, and you show her hand on his leg, up high near his cock.

As they laugh and drink you show her flash her beautiful smile, and you show his hand move up to her breast, giving it a quick squeeze. Jennifer Connelly looks down at what he did and then back at him and smiles sweetly. Her youthful beauty is as entrancing as it has always been.

After this you show them in the bathroom at the bar, with Jennifer Connelly sucking his cock, before putting a condom on him and bending over a sink, presenting her beautiful ass to him.

Jack obliges, and you show him fucking her roughly, but not for too long, grunting and orgasming inside of her.

Then you show him pulling his pants up, and you show her throw the used condom in the trash. You show Jennifer Connelly lean in and kiss him, and she gives him her number before he walks out and resumes his business.

Later you show Jennifer Connelly at the compound in Jack’s bed, with him fucking her hard doggy style in his bed.

When he orgasms he falls beside her, “Jesus Christ woman, you are insatiable,” he says with a grim look. “But if you are trying to fuck me to ****, you have your work cut out for you darling.”

She smiles warmly and kisses him, “I just want you to keep fucking me Jack, it is good to have a real man again.”

You then show a brief compilation of Jennifer Connelly being present for more and of Jack’s dealings, being at his side often.

When someone questions it, Jack grows angry and sometimes violent with them, “It is none of your god-damned business if my woman is beside me!” He barks at one who questions her presence.

You see her walking around the compound, often leered at by Jack’s men, and often harassed verbally and physically. They take liberties groping her and slapping her ass, but she still looks around the compound, with Jack nearly killing some of his men when he finds them touching her body.

Until one day you show Jack open a panel on a wall, showing another room that is hidden, with seven barrels shown. Jack opens one and takes some money out of it, with Jennifer Connelly peeking in before quietly moving away.

You later show Walter testing his remote arm setup, and you see him look at his phone, getting a text from Jennifer Connelly.

“I know where it is, all of it.” She texts Walter. “Go time?”

“Good work, be there soon, delete the texts.” He replies. “Keep the burner phone.”

You then show Jennifer Connely look around before deleting the texts and moving on with her day.

Later when you see Walter show up at Jack’s place, you see Jennifer Connelly is there, sitting on Jack’s lap. Jack has one hand on her stomach, and Walter sees that his hand is on her stomach but two fingers are running down inside of her pants.

His other hand is groping one of her big breasts, he is squeezing it hard. She looks away from Walter as Jack gropes her.

Jack and Walter argue, and when Jack gets angry at Walter and sends for Jessie, he tells Jennifer Connelly to go to their bedroom.

“Move that fine ass baby,” he says, giving Her a hard slap on her beautiful ass. “I won’t be long, you better be on your knees for me when I get there.”

Walter looks away as she walks out of the room, as she tries to make eye contact, Jack looks at Walter, “most men have never had a woman like that Walter, you missed out on a good eyeful man.”

“That bitch can suck cock like you don’t believe,” Jack says with a smile. “The kind of woman that will change your life…”

As he says this, Walter gives a subtle nod, agreeing with Jack.

You see Jennifer Connelly quietly open a window and climb out, a bag over her shoulder, and a small pistol in her hand.

After that, the scene plays out similar to the original ending.

Walter tackles Jesse and sets of the M-60, and the carnage seen originally happens. Almost all of Jack’s men die, as in the original.

Todd survives, but Jesse kills him, and Jack is wounded, but Walter kills him as he tries to bargain for his life. In your version when he tries to tell Walter he won’t find his money if he kills him, Walter taunts him.

“I know where my money is Jack, all of it…” then he kills Jack as he did in the original.

Walter and Jessie have their face off as in the original, and Walter is still shot, but not mortally wounded as in the original, it is not as serious a wound at all, really just grazing him.

Jennifer Connelly then hurried into the room and Walter slumps into her, and she is angry that he is shot, “these motherfuckers shot you?” She asks angrily, raising her pistol. You see it is a compact 9mm with a suppressor on it.

“Which one! Who the fuck did it?” She looks at Jesse dangerously, and points her gun at him. Her hand is shaking as she holds the pistol on him, her eyes flaring in anger.

“Did you shoot Walter you skinny fuck!” She yells at Jesse, “I will put you back in that hole in the ground asshole!”

Jesse isn’t saying a word, he is barely breathing and he isn’t moving at all, his eyes are wide and his hands are up, he is terrified.

A long and tense moment lingers, then Walter calms her down.

“No Jenny, Jesse didn’t do this,” Walter says slowly, gently lowering her pistol, to Jesse’s visible relief. “I shot me, but on accident...while shooting all of them.” He says with a pained smile.

You show her open his jacket and check his injury, taking off her shirt and placing it on the bleeding wound, leaving her in a tank top that shows off her big tits quite well.

“Did you know Jesse Pinkman in high school Jenny?” Walter asks, and you see Jesse’s eyes go wide. He remembers her, he is shocked Walter has a stripper for a lover, and he doesn’t know if he is walking out of the room.

“My dad did business with Jesse for years back before he died, selling him and his friends weed, and then crystal.” Jenny says with a smile, but her eyes have a dangerous look as she stares at Jesse Pinkman. “I suspect my dad taught Jesse how to cook crystal at some point…”

“But that was a long time ago, I only knew he came by the house, but not often,” she replies sweetly. “Jesse was years ahead of me in school. Him and his guys did come to the club I stripped at a few times though, but they behaved themselves.”

You show a flashback of Jesse, Combo, Skinny Pete and Badger at the club watching the young Jennifer Connelly dance before them as she strips. You show her performing lap dances for Jesse and his crew.

Nothing out of the ordinary happens, no sex, no rule breaking, just run of the mill lap dances. Obviously Jennifer Connelly was beautiful, but the four men were too drunk and high to notice.

They have the face off very similar to what was seen before, but while Walter is wounded and drops his pistol, Jennifer Connelly does not drop hers. She glances at Jack and each of his men, keeping her finger on the trigger of her gun, and she keeps returning her dangerous stare to Jesse Pinkman, and she keeps pointing the gun at him. Not letting him have any chance to act against Walter.

Jesse leaves, not speaking to Walter. Jennifer Connelly is standing beside Walter holding a gun, thus there is less tension. He knows she would kill him if he acted against Mr. White at all, and considering the dangerous look she keeps giving him, and the gun she keeps pointing at him, and he is correct.

You see Jesse share a final stare with Walter before grabbing Todd’s keys, and is seen driving through the gate at full speed while screaming as in the original.

Back in the compound, Jennifer helps Walter along, and you see two of Jack’s men on the ground in the **** lab, lying in pools of blood.

“Is that your work?” Walter asks with a pained smile.

“Yeah, they were assholes, they thought what I was doing with Jack extended to them, it didn’t. They **** me Walter…a couple of days ago.”

You see the pained look on Walter’s face. He knew sex would be a part of Jenny getting close to Jack, but he hadn’t planned on her being sexually assaulted.

“They all needed to die, but these two assholes got what they had coming to them. They deserved what they got.”

You show a flashback to these two men touching Jennifer Connelly when Jack isn’t around. On a few occasions they grope her ass and her breasts, or taunt her with a rude catcall, and she ignores them each time. They have enough fear of Jack Welker not to push too hard, for the most part.

Then one night when Jack and the crew are away, the two men are a bit drunk and quite high on the meth that Jessie is making for Jack, and they go much farther. The two men **** her, holding her down and taking turns fucking her roughly.

You show this scene in some detail, it lasts about eight minutes. They tear her clothing, and as she fights back, one of them puts a knife against her throat. “Bitch, we will gut you right here, and bury you in the woods, Jack will never know what happened to you. His bitches come and go like that, junkie whores like you are a dime a dozen.”

The man pulls the knife back and pulls a pistol, pointing it right at her stomach, “or maybe you want to feel what it is like to be gutshot? Don’t fight us bitch!”

The man then puts the barrel of the pistol in her mouth, laughing at her, before spitting in her face.

At this point Jennifer Connelly stops resisting, and other than crying lightly, she seems fairly calm. At first when they put their cocks in her mouth as they alternate positions in split roasting her she just lets them fuck her mouth, but when another pistol is at her temple she begins sucking cock with some enthusiasm.

The men alternate fucking her and forcing her to suck their cocks, and their **** isn’t over quickly. They don’t wear protection, and they both cum inside of her, one after the other. And they both move beside her and **** her to alternate sucking their cocks to clean them up as they soften. The image of Jennifer Connelly sucking two cocks is absolutely pornographic, and absolutely beautiful, but troubling all the same.

When they are finally finished they stand above her and discuss killing her, knowing she might tell Jack what they did, and you see her eyes narrow dangerously. But then she begins to plead with them.

“Don’t hurt me, please,” she says, her arms raised. “I was good to you, I can be good to you again, I can be good to you a lot more than I just was.”

“Jack doesn’t have to know, not ever, I like cock. You liked fucking me right? It can be a regular thing when Jack and the boys are gone. I can do more than I did here, you can do anything to me that you want. You can fuck me in the ass…just don’t kill me…”

That is enough to convince the two drunken and high men, who agree not to kill her.

They leave Jennifer Connelly fully naked on the ground with a warning, if she says anything to Jack, she is dead. And she will die slowly and painfully.

“You should have been sharing that ass from the beginning whore, don’t make us cut you,” one of them says in a cruel tone, slurring his words.

The other looks at him and smiles then pulls her up to her knees, “one more thing you fucking pig, open your mouth, I need to take a piss,” he says as he pulls his cock back out.

She shakes her head no, and the other man puts a gun back to her head, “anything we wanted, that’s what you said bitch.” He unzipped his pants as well, “I could go for a piss as well, always wanted to piss in a bitch’s mouth, most whores won’t do it.”

You then show a disturbing scene where the first man carefully aims at Jennifer Connelly’s open mouth, and urinates into her mouth. He breaks the stream here and there, telling her to swallow, which she does in disgust.

When the second man does it, he doesn’t really aim. He laughs as he pisses all over her. In her mouth, on her face, and in her hair.

She is on her knees as he finishes and the two men laugh as they walk away, looking back to see her slump over, crying.

You show her face on the ground, and she is covered in urine and you see cum running down her leg, cum from two men.

Then as they walk away she stops crying, and her expression changes form sadness to anger, perhaps to hatred. Her eyes narrow as she watches the two men stumble away, drunk high and quite proud of themselves.

You then show the young Jennifer Connelly in a shower in Jack’s compound cleaning herself thoroughly, and then brushing her teeth and rinsing several times.

You then show a quick flashback of Jennifer Connelly creeping up on the two men in the compound.

She starts by shooting one and then the other twice in the shoulders with a small suppressed pistol. It is in the area at the edge of the lungs, she doesn’t want them to scream, and she doesn’t want them to die quickly.

She then shoots each twice again on the ground. They aren’t dead yet, she shot them four times each, but she wasn’t trying to kill them quickly. She reloads as she stands over them.

Each of them then gets two shots in the groin, and the men try to scream, but can’t find the breath to do it. Then she raises her pistol and shoots each in the face, smiling as she does it.

You then show her opening several vats of chemicals, and pouring some on the two men, dousing their bodies carefully.

“It is back here, and I have a truck back there near it, we need to go,” she says, as she helps Walter walk to the back, showing him the improvised vault that Jack Welker used. They have a dock, and Jennifer Connelly backs the truck up quickly, hitting the dock hard, and they hurry as they start to hear sirens in the distance, loading seven barrels of money, along with a couple of large duffle bags as well as a large bag full of weapons and what look like grenades.

“This is more than I had, what is this…extra? Jack’s money?” Walter asks, wincing in pain but looking at the large duffle bags of money. The denominations are large, $50s and $100s, it is millions, maybe tens of millions.

“This is from Jack selling your meth, the meth that Jessie has been making,” Jennifer Connelly replies, loading the last of it herself, hurrying as she does it. “Your meth, your money.”

Walter is still looking at the barrels and the bags of money, a bit in awe at the sight of it again.

“This is your money Walter, your legacy, it came from your meth, but we need to go, right now.”

As she says this she very quickly runs a ratchet strap around the barrels, and in a few quick moves she pulls and then ratchets them securely as you hear sirens approaching in the distance.

She shuts the tailgate hard as Walter gets in the passenger seat, holding his gunshot wound and looking weak, she then replaces her shirt with a gauze bandage and tells him to keep pressure on the wound.

Jennifer Connelly then tears away in the truck, not heading for the main entrance, but heading to the back.

She slides to a stop and gets out, throwing a couple of grenades into the lab before driving away quickly, but again, not towards the entrance.

“What is back here?” Walter asks in a pained voice as an explosion and ball of flame is seen behind them in the lab.

“Not the fucking cops,” Jennifer answers with an intense glare. “It is the back way in and out, all dirt roads back here, not on the map.”

She doesn’t slow the truck at all, crashing through the gate at speed, “keep pressure on that Walter,” she says lovingly. “I can get us to a doctor, I know of a guy, but we have to get clear of here first.”

You see her driving without headlights in the dark, using the moonlight to guide her as she slides around corners on a dirt road in some woods.

“Shouldn’t you use the headlights?” Walter asks weakly.

“Don’t talk Walter, save your strength,” she says, her eyes looking ahead intently. “I have been learning these back roads since I got here, we are almost free.”

You see the compound from above, and see that it wasn’t nearly as remote as thought, they aren’t far from where groups of houses are shown lined up.

You see the pickup they are in turn onto a residential road, into some traffic. Jennifer Connelly turns the headlights on, and drives away at normal traffic speed. You show Jennifer Connelly smile, then she holds Walter’s hand as she drives on.

“Is this truck solid?” Walter asks, his voice showing the pain he is in.

“It is good Walter, I know my way around a garage, I helped with the maintenance around here, Jack got off watching me work on this truck,” she says with a smile. “The tank is full, the tires are new, I serviced pretty much everything, all the lights work…it even has inspection and insurance.”

She laughs as she says that, and you show a flashback to Jack complaining about paying for insurance, “it is a scam darling, who gives a fuck about paying for insurance…we have fake insurance cards for this sort of thing.”

But she gives him a beautiful smile he can’t say no to, “Jack I get nervous around the cops, can at least this one truck he legal?”

You see Jack laugh and agree, and show that Jenny has spent time getting this truck into really good shape.

You then transition to the police looking through the carnage at Jack Welker’s compound, and then show news reports of all of the **** killings, with it being described as a suspected **** war between warring cartels and **** gangs, or a **** killing.

Not all of the bodies can be identified positively, but Walter White was known to be in the area, his DNA and prints are found in the car he drove into the compound in, so it is assumed he is dead, one of the bodies in the burning lab which are not identifiable.

You show a clip of Walter White and Jennifer Connelly in the back room of a vet clinic, with Walter’s wound being cleaned and closed by a shady veterinarian. It doesn’t take long, they don’t talk much, and Jennifer Connelly gives him three large stacks of cash before they leave, taking some pain medication with them. They get back into the same truck and Jenny drives them out of town as Walter leans against the window and takes a nap, feeling safe around the beautiful young woman.

You then show a news clip of the DEA finding Hank and Steve Gomez’s bodies, with the DEA announcing that they found a larger criminal group who had been making the high quality meth all along, taking credit for taking down Jack and his men, even though they weren’t there.

You show interviews where they describe Jack Welker as the man who ordered the killing of potential witnesses in police lockup, who killed Gus Fring, and who killed Hank and Gomez. They still believe Walter white was cooking meth, but much of the heat is now placed on Jack Welker, as to better explain what happened and how they solved the case.

You then transition to a later time, showing a clip where Gretchen and Elliot publicly announce a trust they have created for Walter White’s family, blameless victims of his criminal actions.

The last scene you show is Walter White in a darkened medical facility getting treatment for cancer as he did before via IV, and you show a smiling Jennifer Connelly holding his hand. You show them walk out later, and show them to be in Russia, in an unnamed city.

She helps him into the car, but Walter is looking better, quite a bit more healthy than he was when he faced off against Jack Welker. His color has returned, and he has gained weight, looking a lot stronger.

Jennifer Connelly drives them away in a older Mercedes. You show them drive a fairly long distance out of town, into a rural area.

They arrive at decent looking house far outside of town, a place where their wealth will allow them to hide basically forever now that Walter is thought to be dead. The manhunt is over for him.

As they walk into the house, you see an older housekeeper greet them, and you see Jennifer Connelly walk over and pick up an infant, her child with Walter White.

Walter sits down in a comfortable chair, still feeling a lot of discomfort, and you see him pour a stiff drink, just as he often did before.

Jennifer then Connelly brings him his son, and you fade to black as he smiles and kisses her, before hugging his infant son.