It is a longer and more complicated film.

You show another lengthy sex scene between Steve Rogers and Peggy Carter, and it is much more in-line with your new norms for sexuality and nudity on screen.

Steve Rogers let’s out a lifetime of sexual frustration on the beautiful Peggy Carter, and you show Kelly Brook’s naked body contorting and shaking under the **** you are putting into it.

Your younger self, playing Steve Rogers, is 6’4” and up to around 240 pounds of solid muscle for this role, and you are using it all to fuck Kelly Brook as hard as possible for the camera.

When Steve orgasms and cums inside of her, the two lovers share a deep and loving kiss, Peggy holding Steve tightly, her legs wrapped around him, holding him deep inside of her.

Now the scene fades to black, and the movie moves along.

You now move to the next scene, where Steve is waiting to see Howard Stark to look at some new tech, and where Peggy walks up on him kissing another woman, a young and beautiful blonde who threw herself at him.

This time she walks up on a bit more action, as the two are in a deep kiss.

The young woman also has her hand on Steve’s cock outside of his uniform pants, and Peggy sees Steve’s hands have drifted down to squeezing the woman’s ass.

This time when Steve holds up the experimental round shield, she fires at him with a pistol, but the shield is lower, not lifted to cover his chest and head.

She empties the magazine and this time all seven rounds hit the shield, right at groin level, drawing a groan from Howard Stark.

The film moves along quickly, and for a while as it did originally. Steve and his men fight and win, and eventually Bucky is lost, falling off of a train.

Weeks go by as more battles take place, and you show a couple of additional and quick sex scenes between Peggy and Steve as they steal moments during the war in Europe.

After one of them, which takes place in a London hotel when they are on leave, you cut to Peggy headed to her quarters as they aren’t staying together for the norms of the time, kissing Steve Rogers as she leaves.

You then show her sneak into Steve’s bedroom that night, but Steve is in a barracks, they are not alone by any means. Soldiers do being women in to fool around, but they can get in trouble for doing so.

The lights are out, so the scene is not well lit at all, and she whispers for Steve to stay quiet, and he does. There is little foreplay, but Steve does enjoy it, and when he orgasms his lover lets out a quiet sort of squeal of pleasure. You show Steve’s face as he orgasms, and it is different, he sees bright lights his orgasm is so powerful.

She then kisses Steve, then briefly sucks his cock before leaving quickly. He quietly says her name and move out after her, and when she turns he sees it wasn’t Peggy, but another woman of rather spectacular beauty.

And just like that she moves, nearly so fast Steve Rogers cannot see her, and she is gone, disappeared into the night.

You see on a roof nearby a beautiful woman wearing a uniform like Peggy wears, but it isn’t Peggy, it is Diana. In moonlight you see Wonder Woman, played by Alexandra Daddario. You don’t expand on it, but she has visited Steve, and she smiles at the experience.

“Fitting,” she says softly. “Another Steve…my second lover. Sleep well Steve Rogers, may the Gods protect you.”

This eventually leads to the final battle, which happens pretty much exactly as normal up until the end.

When Steve’s men crash through the Windows firing, rescuing Steve, he gives chase to Red Skull. But he doesn’t get as far as in the original film.

When crossing an enclosed skybridge between buildings, he is met by a short but very well built woman along with six of the well outfitted Hydra goons.

The woman holds back as Steve fights and defeats the men, then she squares off against him, producing an ornate sword her own shield, one with a Nazi symbol in the center.

She is in a grey and black set of armor with red highlights that looks very good on her. It shows off very well developed muscles on her somewhat small form. She is not a tall woman, perhaps 5’5”, with sandy blonde hair in a very complicated pony tail.

Her armor is also decorated with Nazi and SS symbols, she is not the normal Hydra goon.

She is wearing a partial face covering, like a mask, but it is as much armor as anything, and wears heavy bracers on her forearms.

“Ma’am, I am not going to fight a woman,” Steve says as he catches his breath, underestimating her as she readies her sword and shield.

Without hesitation she charges and bashes her shield into Steve ‘s, sending him flying through the air.

She walks over slowly and looks at his shield on the ground, glancing at her own, which now has a large dent a deep crack in it.

“This shield is put together better than you are it seems, yank,” she says in a beautiful British accent. “A shame, I was hoping for a bit more of a challenge from the legendary Steve Rogers, the super soldier…Captain America indeed…it is quite a shame if you are the best the yanks can produce.”

Her tone is dripping with sarcasm, it is obvious she thinks little of him. She pushes her facial covering down, and you now show that it is Emma Watson playing this role.

You play a distorted version of Wonder Woman’s theme, in distorted electric guitar, and just slightly out of tune and a tiny bit off of the normal beat.

She looks beautiful, as always and as perfect as she was at 19 or 20. Petite frame and small breasts, but with much better developed musculature.

Steve stands and puts his fists up, and walks back towards her, limping a bit, but still intent on catching Red Skull. He can’t give up.

“I don’t want to fight you ma’am, but I have to get past you…live are in danger.”

You see her eyes narrow, and you briefly see veins in her face blacken before she charges him again, planting a front kick into his chest that sends Steve Rogers tumbling backwards.

“Lives are always in danger!” She yells at him, “worry for your own!”

You see him spit a little blood as he starts to stand, breathing out in pain. He finds his feet, but he is staggered a bit.

“Well off you go then, ‘super soldier’,” she says readying her sword for an attack, again very sarcastically. “I had hoped for a better challenge than you can provide.”

Just then, you see the side of the building explode inwards, as another woman, taller with dark hair, wearing blue red and gold armor comes crashing in and shoulder rushes Emma Watson.

In slow motion Steve watches as Emma Watson goes flying out of the other side of the skybridge, and you see the beautiful Alexandra Daddario in a powerful pose having knocked the other woman across the facility, perhaps a half a mile in the air.

You hear Emma Watson’s theme fade, and transition into Wonder Woman’s powerful theme blasting as she maintains her pose for a moment.

He is stunned as Wonder Woman walks up to him, with her muscular form, but also her beautiful hips and ass and her large breasts which her armor struggles to keep hidden.

“Are you ok soldier, it is remarkable that you survived that, not many could,” she says as she reaches him.

“I am built pretty tough ma’am…” Steve says, wiping some blood off of his face. “Steve Rogers,” he says, introducing himself. “But I think we have already met..haven’t we?”

“Diana,” Diana replies confidently, giving him a salute. “We have, some nights ago..I wanted to meet the great mortal super soldier, and that is a greeting common to my people, you did not seem displeased by it. I very much enjoyed it, for my part…”

Steve Rogers visibly blushes, obviously he did like it.

“Your reputation precedes you, Captain Rogers…that is my sister Nubia, and I need to tend to her. Are you healthy enough to continue Captain?”

Steve forces a smile, “yes ma’am…”

Diana walks up to him slowly, seeing he is bleeding, and gently kisses him, and again he sees bright lights, “take care of yourself Steve Rogers.”

After she says this, Diana leaps through the hole she knocked her sister through, a leap that amazes Steve Rogers. He sees her fly through the air, maybe a quarter of a mile in a flat footed jump, or more.

Steve stretches his jaw, and sees that he has healed a bit, he wonders how that possibly happened, but he doesn’t dwell on it.”

He shrugs and jogs off to chase after Red Skull, this giving his enemy enough time to **** the car chase where Tommy Lee Jones and now Kelly Brook give him a ride to catch up to Red Skull’s large aircraft.

They share a quick kiss and the movie moves along, but with subtle changes.

The large aircraft is damaged and barely flying, but isn’t crashing. At first Steve talks to Peggy, in the Hydra tower, and she gets Howard Stark involved.

A flight from Germany to New York would take hours, and they spend the time trying to find a safe way to put the large plane down.

Howard Stark tries to talk Steve though landing it, but he can’t read the controls which are labeled in German. He has to find the flaps and the landing gear, but he can’t.

Steve barely knows how to handle the stick, the large plane is overly complex, and add technology not common to their time, Steve has no hope to learn how to safely fly it, but he tries. And each lever or button seems to do nothing, or does something he doesn’t want it to.

Stark then tries to talk Steve into trying to land it in a large open field on the belly of the large plane, but with the power of the bombs on board Steve refuses.

Stark then pleads with him to find a parachute and bail out, telling him he can put it in a dive and bail out, giving himself a chance. Steve points out that there isn’t a place to jump from, not where the controls are.

Peggy shuts off Howard and orders the room cleared, and implores Steve to find a way to land it.

Steve is straight with her, if he doesn’t put it in the water, a lot of people will die.

“Steve…” Peggy says to him over the radio, “Steve, you have to come back to me,” she says softly.

As the plane pitches down, Steve mentions that he is going to need a rain check on their dance, and Peggy tells him he has to be there the next Saturday, somehow.

You show Kelly Brook struggling to tell Steve something, finally crying as she speaks, and as the plane dives into the ice.

“Steve I love you, and you have to come back,” she says, you show this from Steve’s side. “You have to come back, you are going to…”

Now you hear Peggy say the last line, “be a father.” As the line goes quiet. As she realizes Steve has crashed. Peggy slumps against the console in tears.

The post credits scene becomes a mid credits scene, and in a new post credits scene you see a quick shot of Woodstock in 1969, with a far away shot of Hendrix playing a psychedelic version of the Star Spangled Banner.

The camera pans around showing the sort of crowd you would expect, with some **** use, and some casual toplessness on the part of many of those in the crowd.

The camera pans around and settles on a beautiful young woman with sandy blonde hair, and you see that it is Emma Watson, playing Nubia, Wonder Woman’s sister.

You show her smile a devious smile, and you hear the distorted version of Wonder Woman’s theme again as the scene fades to black.