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Chapter 7 by VixxTheLover VixxTheLover

And on to the end of season two.

It doesn’t go as it originally did.

The season tracks pretty close to the original release, but with more sexual innuendo, more profanity, and with nudity becoming common.

You show a clear view of Pam’s naked breasts at least once in every episode, and you also give the camera lingering shots focusing on Pam’s very nice ass, or her breasts fighting against a blouse that is always at least one size too small. And as the season progresses, her blouses get tighter.

You now include an occasional sex scene with Dwight and Angela, an occasional sex scene with Pam and Roy, sometimes including his brother Kenny, and on occasion you show one of the warehouse guys fucking Pam, and not just Lonny and Jerry.

And also a sexy scene here and there with Jim and Jessica Biel as they work out their problems. The end up being on again, off again, in an active sexual more than romantic relationship.

You get to the episode where Michael tells Pam that Jim is in love with her, and he doesn’t stop where he did originally. In your version he goes into more detail on how Jim feels, and that it was on the cruise.

You show Pam look at Jim, blush a bit and exhale softly, before composing herself and finishing her talk with Michael. Michael is so flustered at telling the secret that he misses her physical response.

Later when Jim explains himself, and lies saying it was a crush he had on her when she first started, Pam is staring into his eyes. And she sees his eyes drop to her breasts of so briefly, and then return to eye contact.

You show Pam smile sweetly, she likes it when Jim looks at her, she wishes he was doing more than looking most of the time.

Pam uses her arms to push her tits together, making an even more enticing visual for Jim, she knows what she is doing. There is beautiful cleavage on screen, there just for Jim, and anyone who happens to walk by.

She speaks about as she did in the original release, but her body language is far more sexual. Her top has two buttons open, and when she sees Jim walking up she quickly unbuttons a third button on her one size too small blouse.

And she takes off her light sweater when he walks up, wanting to make an impression.

When she puts it on the back of her chair, she doesn’t do it well and it falls, and as Jim walks up she bends at the waist to pick it up. Jim gets a very nice view of her beautiful muscular ass as she bends over.

When she talks to Jim she is friendly and receptive, but she uses her arms to push her breasts together with a predictable result. By the end Jim is blushing and is sweating. She wanted to know how he felt, and now she knows, body language is hard to hide.

At the end of the day, Jim and Pam gather their coats and head to the elevator together, and they aren’t alone in the elevator. It is the end of the day, and it is pretty full.

Pam still hasn’t put her jacket or her sweater on, she is just holding them, standing beside Jim in just her tight blouse, still with several buttons undone.

At one point Jim leans in to make a joke, and she feels his hand on her lower shoulder, and you show her smile and turn to face him. She does it quite intentionally and quickly. When she turns you clearly show Jim’s hand move from her back to her shoulder, and in slow motion to her arm, and then to her left breast.

You see it in very slow motion, and you show Jim’s fingers touch her breast, and as she leans in his hand pushes into her soft breast, with his fingers pressing in slightly.

You show her press in close, as if she were bumped into him in the cramped elevator, and she looks into his eyes and she pushes in. And it takes him a moment to move his hand away, you show it slowly moving down, with his thumb running across her now more visible nipple, which is visible through her shirt.

As she turns you see Pam’s hand brush against the front of Jim’s pants, her fingers reaching out to touch an obvious election.

Jim’s eyes go wide with shock and embarrassment, and Pam’s eyes are more predatory, and she has a light smile on her face. This feels better than anything Roy or his fat ass brother have done lately.

You show Jim in his apartment later, and you see he is sexually frustrated, and you show him call Jessica Biel, who comes over for a night of makeup sex. They aren’t loving towards each other, but they do go at it very hard, fucking each other aggressively, even angrily.

When Jim is getting close to orgasm he asks where she wants it, and Jessica Biel tells him to finish inside of her. When he finishes she cuddles Jim, looking beautiful and naked, but Jim is not very interested.

You then show Roy leaving Pam, saying he is headed out to the strip club with Kenny, “want me to wait up?” She asks.

“Don’t worry babe,” Roy replies, reaching down and grabbing her ass. “We will wake you up when we get here. Kenny is spending the night, so you might want to get a nap, it will be a long night.”

“Yeah, we are gonna tap that fine ass all night!” Kenny says loudly, “after we get some ass at the strip club, right little brother?”

“Yep, and then we both fuck Pam in the ass when we are back!” Shouts Roy.

You show her frown as he says it, and then as she hears his truck start and drive away she smiles. She pulls out her phone and flips through it, smiling. Pam then walks to her bedroom and undresses, giving the film crew a nice clear view of her fully naked body. She goes into the restroom and comes out in a robe, that hangs open over her big breasts.

She lies down and picks up her phone and looks at it, and you see her put a finger in her mouth, and then move down and squeeze her breast and pinch a nipple.

Soon you show her hand move down, and she starts to finger herself, dropping the phone at her side, now using both hands to please herself. One in her pussy, the other squeezing her breast.

She masturbates pretty hard, and the camera crew picks up the audio pretty clearly.

You show her orgasm, and then breath out, just as she did when Jim touched her, and she whispers lightly, but the camera crew catches the audio. “Oh Jim...” she says, before tasting the fingers she has been using on herself.

She gets up and heads to a bath she has been running, and the camera man gets closer and catches what is on the phone. It is a friendly picture of Jim and herself on her phone.

You keep pushing in the sexual tone of the show as you move forward, showing brief sexual circumstances, and putting in nudity with Angela and more with Jessica Biel as the show moves forward.

You show a tense discussion with Pam and Roy when he tells her not to go to art school, saying it is too far away, and making the point that his sex life will suffer. And gets slapped when he mentions his brother Kenny, “what Pam, will both of us have to drive to your school to fuck you?”.

“I am tired of fucking your brother, I don’t want to do it anymore,” Pam says quietly, and Roy knows he pushed too far. “And don’t even start with the fucking warehouse guys…that is over!”

“We can talk about Kenny babe,” Roy says, trying to be nice. “I thought you liked it, and he is going through a rough patch with his wife.”

“I wonder why...” Pam says quietly.

“And the guys will be disappointed, they really enjoyed it so far..” Roy starts, but an angry glare from Pam stops him mid sentence.

You move ahead and get close to the season finale, finishing your work for the day on the conflict resolution episode.

This episode goes about like it did, but with additional complaints. You show several that talk about Pam’s manner of dress, along with the one about her planning her wedding at work.

In trying to resolve things Michael suggests that Pam wear less clothing, and suggests Bikini Tuesday be a thing, and maybe casual Friday become topless Friday. He looks at Phyllis and mentions not everyone would need to, and it gets very uncomfortable.

But things end as they did, with Jim struggling to be around the beautiful Pam, who has remained very flirtatious with him, and with a tough work relationship with Dwight.

He decides something has to change.

And on to the season finale.

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