You work on her movies from 2004...

Scarlett Johansson did a lot of work in 2004, and you edit most of it.

In The Perfect Score you make the movie more erotic than it was, with a lot of nudity, primarily from ScarJo, with several explicit scenes.

You replace Chris Evans with yourself in the film, just for another movie credit. You don’t include any sexual content between you and ScarJo, and while the sex scenes are more explicit, they are tastefully done and show almost nothing which could be considered hardcore.

You then edit A Love Song for Bobby Long, removing one of the people squatting in the house, leaving only John Travolta’s character.

Their relationship is as troubled as it is in the movie, and you don’t show any sexual content between the two of them, but you do have him walk in on her in the shower, showing Scarlett Johansson naked in the shower. Instead of the brief glimpse of her in the released movie, you show a lingering scene.

You show the two of them get closer, and have an increasingly intimate relationship, but it never crosses over to sexuality.

You show the young Scarlett Johansson becoming more and more interested in the older character of John Travolta, but he does not reciprocate.

In the end his self loathing is just too much for him to have sexual interest in such a young and beautiful woman, and the daughter of a friend.

You move on to A Good Woman, where Scarlett plays a young wife who comes to believe her husband is cheating. You haven’t seen the movie, so you edit the IMDb parent’s guide to include nudity and sexual content. With notes of explicit simulated sex between Scarlett’s character and several different men in the movie.

You finally spend some time on In Good Company, yet another movie where Scarlett plays a young love interest, this time Dennis Quaid’s daughter.

You have the movie move along as normal, as Quaid’s character becomes the subordinate of Topher Grace. He finds out his wife is pregnant, and then finds out his daughter is dating his boss, which he takes very poorly.

The move takes a darker turn as Quaid’s tries to be more modern and relevant for a new potential client, and is invited along with Topher Grace to a masquerade style sex party.

The sex party is jarring for Dennis Quaid. He is a married man with two kids and a third on the way, this isn’t a place for him, but his new boss challenges him to stay.

Over the course of an uncomfortable night, Quaid loses track of his boss, and ends up having a drink at the bar with a stunning young blonde in a dress so tight it might as well be painted on.

Her silky dress mesmerizes him, her cleavage is inviting, barely covering her nipples which are visible through the material.

They don’t say a word, but they don’t need to. She takes his hand, and he then notices how short this blonde beauty is, and walks him to a side room, and he watches her ass away as she walks in the skin tight dress.

As they move to a room, Dennis Quaid notices his boss in another room, behind a wonderfully built black woman, fucking her doggy style. Topher Grace has the black woman’s big muscular ass in both hands and is pounding away at a manic pace. He doesn’t even notice Dennis Quad and the young woman move past.

He follows the masked blonde into the room and she falls to her knees and opens his pants, and his resolve fails him completely.

She is wearing a large mask so he can only see her beautiful lips on his cock, and it feels great. He stops her before he cums, and she raises her dress above her hips and welcomes his cock into her body as he begins to fuck her.

He pulls her dress down, exposing her breasts, covered in glitter and perspiration, but he doesn’t care, he sucks on her large breasts hungrily.

He begins to pound away on her, fucking her with all he has to give, and he leans down and kisses her deeply, enjoying her sweet taste.

They stay in the missionary position and this scene lasts. You show her orgasming, and he watches she accidentally knocks her mask off in a moment of passion as she orgasms loudly. Squealing and shaking in pleasure.

As it happens she is turned just to the side, in the midst of an orgasm, but then she turns and smiles at him.

Fuck.

Dennis Quaid clearly sees his daughter’s beautiful face before him. Her big breasts bounce as he hasn’t stopped fucking her, her beautiful naked hips are beneath him, and she doesn’t know who he is. He sees his hands on her beautiful hips, continuing to use them as leverage for pounding his unprotected cock into her.

His mind is screaming at him to stop, to pull out and run away, but his body is ignoring him right now.

He knows he should stop, that he has to stop, but he doesn’t. He stares into her deep blue eyes, and plays with her big breasts as he continues to fuck his daughter.

As he feels an orgasm rising he realizes he is not wearing protection, but he doesn’t stop, he can’t.

He finally gets some control and slows and starts to pull out, but she looks at him and nods no aggressively. “Keep it in me, finish in me...” she says sweetly. “I want to feel your cum in me!”

That is just too much to take, and he explodes in orgasm deep inside of her.

He spasms and holds himself as deep inside of her as he can on instinct, his body calling the shots right now. As his orgasm finishes, he looks down at her, the beautiful young woman his daughter has turned into.

He comes to his senses as she reaches for his mask. He nods no, then pulls out finally, and he zips up and leaves quickly.

Scarlett Johansson gathers herself and puts her mask back on, then goes after him, but she loses her new lover in the crowd. You show Dennis Quaid in his car, his hands trembling. From a distance he sees his daughter, she left the club looking for him, he starts his car and speeds away. She can’t know. She can never know.

In the aftermath of this, troubles continue at work and Quaid learns to work with his new boss, and trouble at home as he finds out his daughter broke up with Topher Grace.

He speaks to his boss about it and finds out that Topher had left her at a party they went to, and had ended up cheating on her. And on top of that, a friend told his boss that his girlfriend, Dennis Quaid’s daughter, had fucked another guy at the party.

Dennis Quaid is conflicted. He doesn’t trust his boss, he seems like a jerk for leaving her at a party alone and certainly was a dick for cheating on her. But he was starting to like the kid a bit more.

Soon Quaid sees his daughter is crying in his room, talking to his wife, and leaves to give them some space. He later finds out that his daughter is pregnant.

He ends up talking to his daughter about it, and she decides to open up to her father. She had not intended to be pregnant weeks after her eighteenth birthday. It was a mistake, an accident, how could she handle this?

He asks if it is Carter’s child, and she says no. She never had sex with him. They had fooled around, but never went farther than a blowjob. She had wanted to sleep with him, but he held off knowing her father worked for him. He would only do that if her dad knew and approved of him.

She described sex parties that Topher Grace has taken her to, where masked people had anonymous sex, but said she had only ever given blowjobs before. But described having sex with a stranger at a recent party. She fucked a man who she didn’t know, and that man was the father of her child.

He had to be.

“A stranger was your first time?” Dennis Quaid asked her, he knew it was him. He hoped he had not taken her virginity, he would have thought he would have noticed that.

“No dad,” the young ScarJo answered, her head dropping, “my first time was last year, on our class trip to Prague. And that was one time with a guy from school who used protection, and pulled out. I was careful.”

“Baby, I am so sorry, we will be here for you, I promise.” Dennis Quaid replies, comforting his daughter as she cries. “The father doesn’t matter, mistakes happen, and we move on from them. But your mother and I will help you with this baby.”

Scarlett looks up at her dad, her eyes red from crying, “I was going to ask the guy I was with at the party to wear a condom or to pull out, I wanted to, but he was so sexy, his eyes were so...so comforting, so beautiful...” She holds his hand as he says this.

Dennis Quaid’s eyes open wide in fear, will she know? She looks at his hand and cocks her head to the side. Then she stares into her father’s eyes.

You then see Scarlett Johansson’s eyes go wide in realization, as recognizes her father’s eyes. Denise Quaid has a piecing stare. She knows, fuck, she knows.

“Dad?” She asks, it is all she can say, but he knows what she is asking, he holds her very tightly.

“It was you dad?” She continues, looking up into his eyes.

He trembles, he knows his answer could ruin him professionally and end his marriage. But he has to be honest with his oldest child. It had been an accident, right up until he could see her face when he came inside of her.

“Yes baby,” he replies softly. “It was me.”

Her eyes go wide, “how? How were you even there?”

“Carter brought me, for work.” He replies to his daughter. “I didn’t know what it was going to be, but baby I have been close to losing my job. I had to stay, so I went to the bar to kill some time and have a beer. I was just going to have a few drinks and leave, Carter was off...with someone else.”

“And I saw you, it just happened,” he continued. “I didn’t plan it, I didn’t recognize you baby.”

“But dad,” she replied very slowly, very quietly, and in a very precise tone of voice. “My mask was off when you came, you knew it was me...when you came inside of my body.”

There was a long silence, he didn’t know what to say. He had known how beautiful she was for a long time. He hadn’t had any sexual attraction for her before, but he certainly knew what her body looked like.

“OK, I knew it was you then baby,” he admits quietly, right into her her. “I wanted to stop, but I couldn’t. I kept going knowing it was you, I am so sorry.”

She holds her father tightly, “it is ok dad, I am glad it was you. If it had to be anyone in the world behind that mask, I am glad it was you.”

The moment is a sweet one, and you see him return to work and the movie progresses much as it did, with Dennis Quaid being put back in charge and Topher Grace moving on.

You see Dennis Quaid caring for his wife as they have another daughter, and his daughter Scarlett who is still not showing he is pregnant.

You see his wife leave to go shopping, leaving him at home with his daughter, and then you show Dennis Quaid and Scarlett watch her leave and then move to his daughter’s room and undress, having a quick sexual encounter.

You see that this is more happy and romantic, with both of them smiling as they fuck. It is more explicit, you see him penetrating her, and you show them smile and laugh as he finishes inside of her.

Then the credits roll, and you include a list credits montage of the three of them happily raising the two young children together.

It does not appear that the mother knows, but there are subtle hints. Intimate hugs, hand holding, and romantic looks that should have been impossible to miss.

You also add a film for ScarJo, a sequel to Eight Legged Freaks, which is a fairly straightforward sequel.

You pick up on ScarJo and David Arquette a year after the events of the first film, living as a couple in California, having moved there from Arizona.

The last film closed on a spider making an egg sack in a tree near their house, and you continue on that. You bring ScarJo and Arquette back into frame as they left at the end of the last film, in an explicit sex scene, and they are going at it hard and heavy.

As they fuck, you show that the egg sack is empty, and the empty husk of the spider that spawned the others is nearby, you do not show why.

You instead show generations of these new spiders trying to make it in a new area and failing, for a variety of reasons.

They grow, but never to full size, you show them being killed first. Some are killed by the many birds in the area, some by cats and dogs, some by wild bobcats in the area. Fire ants get others, some are killed by poison, and yet more are killed by cars crossing the road.

But just enough live to spawn a new generation, in a remote wooded area miles from where ScarJo and Arquette live.

You show Scarlett Johansson leaving the house one morning, and you show her mother call David Arquette, her ex boyfriend. The man who left her for her daughter at the end of the first film.

“Chris! Goddamnit, Ashley is your daughter,” she is heard yelling from his side of the phone. “I found out I was pregnant and had her after you left! You were gone and I raised her, Ashley is your own blood, this is wrong!”

“We don’t know that Sam, we don’t,” he replies. “She doesn’t look like me at all. Her eyes, her hair, her complexion, it isn’t close. She has your tits Sam, but that’s about it.”

They argue and you show Arquette hang up on her, then block her number in anger.

As the movie continues, some of the spiders take hold, and are finally able to grow big enough, at which point the locals start to notice fewer birds and big cats in the area, and their housepets being gone.

In one backyard you show a fully grown hawk in a large spider web, and as the curious homeowner checks it out, you see them touch the web and get stuck to it. The harder they try to escape, the more they get stuck, then a very large spider descends on them and kills them, wrapping them in a web cocoon.

This time the film starts in a different town, a nearby town where people commonly drive to in order to enjoy a national park with a couple of mountains and a lot of trails to hike.

Well hikers started vanishing, and amid the argument with ScarJo’s mom, Arquette takes a long weekend to got and camp in a nearby national park. A chance to get away, and he is worried his ex might come looking for him, he needs time to think.

You show ScarJo and Arquette driving into the nearby town just as the spiders descend on the town and start killing people.

And just like that, they are involved in another massacre, as the spiders begin attacking everyone in sight.

This time ScarJo and Arquette make it to a police station, and they hear a lot of gunfire, and as they sneak into the station the gunfire falls silent. There are no screams, no sound at all.

They slowly enter and they see a terrible scene. The officers fought bravely, and they all died. And it looks like they killed most if not all of the spiders in the fight. A few spiders are crawling slowly near them, and die quickly, with a lot of bullet holes in them.

Arquette suggests finding some guns, and goes for a shotgun as he had the last time, but ScarJo has different ideas. She takes a key off of one of the dead officers and opens a large gun rack, pulling out two AR-15s and noisily dropping them on a table.

As Arquette watches, she begins stacking loaded magazines a couple of tactical vests, some stun grenades and some other bags.

“Ashley, what the fuck, we don’t even know how to use these things…” he says in an odd voice.

You show ScarJo lift an AR-15, load a magazine and chamber it loudly, pulling the charging handle and then banging the side of the rifle. “Speak for yourself Chris, mom had me shooting these things for years, they aren’t hard to handle.”

She shows him the rifle that isn’t loaded, and shows him how to load it. “Slide the mag in like this, and in a fight, just hit the side, it is easy to get one ready to fire.” You show this, then she drops that magazine and loads another, and it doesn’t take her very long.

“Thirty rounds per mag, and we are going to have a lot of mags,” she says quietly. “Fuck these spiders Chris, last time we got caught unprepared, that isn’t fucking happening this time.”

“The grenades,” he replies. “Why do we need grenades?” He asks.

“Chris, don’t be a pussy about this,” ScarJo says angrily. “These are just flash bangs, if a spider is on me and you drop one of these at nearby, and warn me, it won’t kill me.”

“Warn you?” He asks, unsure.

“Yell flash, pull the pin and toss it Chris, I would rather see some stars and have a ringing in my ear than a fucking spider eat me,” she says with a smile. “You can eat me whenever you want baby, the spiders can fuck off.”

They load up the vests with all the ammo they can hold, and with a few flash bangs, and They each carry a bag to their truck with more ammo. A lot of ammo.

As the chaos unfolds, ScarJo puts two more AR-15s in the back of the truck, with two more bags of money, along with a couple of pistols for them, semi-auto 9mm’s. A backup gun she explains to her boyfriend.

They then drive through the city, moving away from the national park as they hear the spiders are coming from there, with Arquette driving, and ScarJo in the truck bed lighting up spider after spider with an AR-15.

The drive across the city, and hundreds of shots ring out, not rapid fire but close. ScarJo picks up new spiders and fires five or six rounds into their abdomen, hoping it is enough, moving on to new targets.

When they finally get to the edge of the city, with ScarJo having exhausted much of their ammunition, a very large spider attacks the truck and knocks ScarJo away from it, severely damaging the front of the truck.

As the large spider moves in on her, Arquette shoots it. As he opens fire ScarJo turns and takes cover, and gets very low, as Arquette empties a thirty round magazine in it. Another spider is behind him, and as ScarJo gets out from under the dead spider, Arquette struggles to reload his rifle, dropping the magazine in panic.

“Flash out!” She yells, tossing a flash bang nearby and pulling up her pistol, briefly closing her eyes. The flash bang goes off, and then she empties the pistol into it, killing it, before embracing the shaken David Arquette.

“You ok Chris?” She asks loudly, but he cannot hear her. She is yelling at him, “you are gonna be ok!” Before kissing him. “We are gonna be ok, we just have to keep moving!”

ScarJo reloads his rifle, and then hands him some water to drink and goes to work reloading her vest. But she soon finds that the bags of ammo are now empty.

As he calms down she sits with him, looking around warily, “this is all we have left, we need to make it count.” She says, throwing her AR-15 over her shoulder on a sling, and setting his up on a sling.

Their truck is destroyed, so they look for another vehicle, and she suggests they head back to the police station, maybe they have a car they can use. As it turns out they do, they find a SWAT van that looks very sturdy.

Using it they try to leave town, they aren’t seeing any people alive anymore, just spiders.

They run over a few spiders, and when they get to the edge of town, they run into a military checkpoint. It turns out the military was notified of massive mutant spiders, and the national guard showed up first and started setting up a line of fire.

They slide to a stop, and when they get out the national guard take their guns, and find out the town is dead, and that the spiders came from the national park.

At this point the regular military shows up, and air strikes and helicopters are called in. Apache helicopters circle the town, using their optics to find the spiders, while looking for any surviving humans. Which they don’t find any of.

As the movie reaches its climax, ScarJo and David Arquette are behind the lines in the care of the military infirmary. They are treated for shock and have some hearing loss, but are otherwise ok.

They hold hands and embrace, and behind them you see a massive air strike on the town and the national park. The military burns it all down, with strike after strike.

As the movie reaches its end, ScarJo jokes about moving to Alaska, “how about we go somewhere cold enough where they don’t have spiders Chris?”

“Ashley, anywhere where they don’t have fucking spiders is good with me.”

All in all the new film you create doesn’t have all that much sex in it, just the opening scene, but you do see a lot of ScarJo’s beauty, and a good amount of nudity from her as she changes outfits when spider guts get on her, or when her outfit is torn.

You show the two lovers in a northern part of Alaska, staying warm in a small apartment. They discuss the lack of work in the local town, where Arquette finds work at a local oil and gas company, and where ScarJo takes a job working as a server at a local strip club. She isn’t dancing, but the tips are pretty good.

You show them having sex in bed as the credits roll, wanting to make the best use of ScarJo’s beauty that you can while still making a decent comedy action movie and not a porno.

In the middle of the credits you show Arquette walk up to ScarJo, looking nervous, and holding an envelope. He explains it is a DNA test, her mom demanded it, or she would do her best to have him arrested, or worse.

“Ashley, your mom might have shot me if I didn’t get this done, we needed to know,” he said. “If I am your dad we need to know, it is important.”

He opens the envelope and nervously pulls out the letter inside, still not looking at it.

ScarJo walks up to him and smiles, “is it important?” She asks him softly, holding up a positive pregnancy test. “I’m not sure that matters anymore Chris.”

He smiles widely, and as she lunges towards him, he drops the open letter he had with the envelope.

As they kiss and take off their clothing while heading for their bed, the camera focuses on the letter. And you show the content of the letter. ‘Mr. McCormick, we have found the following of the submitted DNA samples.’

‘Sample A is a direct DNA relation to Sample B, as a likely father/child relation. The level of certainty is 99.993%.’

After the credits you now show Kari Wurher, ScarJo’s on screen mother, driving alone in a truck, and you see her pass a highway sign that shows her in Canada headed for Alaska.

And she looks very angry.

You save your work and do some research for Your next work on ScarJo’s career.