12 or 13: With her family's guidance, you find Kiana behind a performance stage, with 4 other Irish women.

You find the booth with the sign, "O'Reilly Clothing", right near an intersection of walkways, & conveniently located under a shady tree. Racks of men & women's clothing can seen--primarily kilts, long argyle socks, various cultural socks, with a color ribbon on the outer sides, leather belts, and pouch accessories. You see the various colors of the kilts, as well as matching corsets & blouses for the women. In one section of the booth, you see various berets & sashes, as well as buckles for the knots.

"Mr. Antonelle?" You hear someone with a female voice call out to you.

You turn to see who it is, only to find that it's a woman in her late 40's-early 50's. Given that she's also in a cultural outfit of her own, she has to be Kiana's mother. For a woman of her age, she still looks great. Her auburn curls are of shoulder-length, her green eyes are framed by a few wrinkles to the sides. She looks more petite compared to the curvy Kiana, yet still unafraid to show her still wonderful body for her age. While her short-sleeved white blouse is decent for her age, she leaves little to the imagination with her brown, plain female kilt, and matching belt. You can see the tops of her white socks, which is otherwise covered by her work boots.

"You must be Kiana's mom." You tell her.

"I am, indeed." She tells you. "I believe you're here to see my daughter?"

"You are correct." You tell her.

"She's behind the stage." She tells you, as her husband--& Kiana's father--joins her. "You may have passed it on your way here. That's where you'll find her."

Kiana's dad is quite a big, strong man, even though he's over 50. His dark brown hair may be thinning out, leaving somewhat of a bald spot on his head, but it's clear he doesn't mind at all. His beard is well kept, his cultural outfit essentially matches his wife's outfit, and from the way he looks at her, it's clear that he still loves her, and they have an undying loyalty to one another.

"She told us that she was expecting you, after she invited you over." He tells you. "She's getting ready to do some cultural dances, with some other lassies. If you meet her, please do your part, and take good care of her. I may be old, Eric, but I can still put up a good fight, if I must. She is our only daughter."

"You have a son, as well?" You ask the couple.

"Two little boys." Mrs. O'Reilly tells you. "They're busy with some activities of their own, but they also help us out."

"I see." You tell them. "I will do my best to take good care of your daughter, when I see her."

"Thank you, Mr. Antonelle." The mother tells you.

You make the walk to where the stage is, seeing a crowd beginning to gather for the Irish dance performances. Of course, there are barricades that separate the public area, from the backstage area, so you find it difficult at first to find the way there. Then you check your smartphone again, to see if Kiana left you any messages.

"Eric!" Kiana calls out to you. "Over here!"

You turn to see Kiana peeking out from behind a curtain that leads to the backstage area, where she is waving you over. With a word to the security personnel posted nearby, they let you pass. As you walk past the curtain, you see that Kiana is not alone. She wasn't kidding when she mentioned other Irish women when she called you a few days back, to invite you to the Ren Faire. It's not just 1 other Irish woman that's with Kiana, but 4 other women. Each one of them are in the same kind of outfit as Kiana--a women's kilt of varying length, with knee-high white stockings, and dancing shoes fit for a "Riverdance" style of performance. They're also wearing various styles of blouses & corsets. Kiana herself is in a low-cut blouse, which goes underneath a tight, black leather corset. Her kilt is red, with white & black patterns, and goes down to about mid-thigh.

"Glad you can make it, Eric." Kiana tells you, as she pulls an empty chair over for you to sit on, then she sits across from you. "These ladies & I are getting ready to perform some Irish folklore dances for the people in front of the stage."

"So I've noticed." You tell her.

"These fine ladies next to me," Kiana tells you next, "are the Irish women I've told you about. We don't just do Irish jigs together, we sometimes do belly dances together. Most of all, Eric, they're all exotic dancers, like me."

"I'm Jodie, and it's a pleasure to meet you, Eric." Jodie is somewhat more petite compared to Kiana, but the way her breasts are contained in her low V-cut blouse, and black corset, suggests that they're proportionately big DD/E cups. Her kilt--purple with white & silver patterns--is cut to about a spot decently above mid-thigh. Her hazel eyes look to you, as she brushes aside her dark, waist-length hair, with platinum blonde highlights.

"Nice to meet you, Eric. I'm Shelly." Shelly is a little smaller than Kiana, but just as curvy. Her blouse is more decently cut, with a circular cut to a spot below her neck, while her brown corset covers her waist. Her kilt--yellow with black & white patterns--goes down to a spot above her knees. Her dark hair is of shoulder length, and her brown eyes soften as she looks at you.

"Hi, Eric, I'm Anna." Anna is a petite woman, no taller than 5'3", with short brown hair, and light brown eyes. She has a red corset on, over her decently cut white blouse, and the laces at the back are black. Her kilt--green with red & white patterns--also goes down to a spot above her knees.

"A pleasure to meet you, Eric. I'm Gia." Gia is probably the tallest of the women, with long legs that aren't as thick as Kiana's or Shelly's. Her dark curls goes down to her shoulders, & she fixes her long earrings, while her dark blue eyes look to you. Her blouse is cut in a way that makes her short sleeves hang on her arms, so her black corset has to be tight enough to help prevent her soft, average-sized breasts from spilling out. Her kilt--blue with white & yellow patterns--goes down to a spot below mid-thigh.

"A pleasure to meet all of you." You tell them, then look to Kiana. "Is it just you ladies? Or are some men joining you on stage."

"Yeah, some men will be performing, as well." Kiana tells you. "That's just part of it. Watching us dance isn't the only reason I invited you over?"

"Oh, really, Kiana?" You tell her. "I've promised your family that I would do my part to take good care of you."

"We want you to join us for dinner, as well." Kiana tells you. "And if you take good care of us while you're with us..."

With a gesture, Kiana & the other ladies hike up their kilts for you. Not surprisingly, you find that all of them are wearing no panties! You can see that Kiana is letting hair grow back around her pussy lips, while Shelly is very bushy around her own pussy. Jodie's pussy is trimmed, with a line of hair on her pelvis. Gia has a circular patch of hair near her clit, but she's otherwise shaven the rest of her pelvic area, as well as her crotch. As for Anna, she's showing you her bald pussy.

"...we'll let you share your earthly delights with us." Kiana finishes her statement. "And don't worry, Eric, we'll put on some panties, before we go on stage to perform."

"And it better be a decent pair this time, Jodie!" Anna tells Jodie. "Everyone knows you have a wonderful ass, but don't be working it club-style, with kids out there!"

"So says the lass that likes to wear no bra," Jodie tells Anna, "and keep her corset a little loose!"

You listen to them gossip, and giggle, as they all move to put a pair of decent panties on--not necessarily "granny panties". Then they stand, and kiss your cheeks, before they move to a spot near the steps, ready to perform.