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Chapter 4
by
Seserith
What's happening outside the cafe window?
A crowd is gathered around a poster?
You’re nursing a lukewarm latte in The Daily Grind, the mug’s heat barely cutting through the damp chill, when a ripple of voices pulls your head up. Outside, across the street, a knot of people clusters around a poster slapped against a brick wall. Their excitement crackles through the drizzle—hands gesturing, heads craning, a kid’s high-pitched laugh cutting through the murmur. It’s too lively for a gray day in Gotham, and that hooks you. You abandon the coffee, push out the door, and cross the street, boots kicking up water as the cafe bell clanks shut behind you.
The crowd’s a mess of types: teens with earbuds, a guy in a cheap suit flicking a cigarette, a woman clutching a shopping bag like it’s a shield. They’re buzzing, words tumbling over each other. “She’s legit,” one says, voice sharp with awe. “Saw a clip online—turned a dude’s tie into a snake.” Another scoffs, “Bullshit, it’s all rigged,” but his eyes linger too long on the poster. You shoulder past, catching the vibe, and there it is: a woman in a top hat, smirking like she knows your secrets. “Zatanna Zatara: Mistress of Magic. One Night Only at the Gotham Grand Theater.” The text pops in bold red, and something about it makes your skin prickle. Up close, the poster’s weird. The edges shimmer faintly, like heat off pavement, and her eyes—damn, they do move, subtle but real, locking onto yours before sliding away to scan the crowd. You feel it then, a low thrum of energy, not just in your head but in the air, brushing your skin. The Father-Box hums louder. "This is no illusion. Power resides here." You grit your teeth. “Yeah, I feel it. Quiet.” But it’s right—this ain’t normal. You’ve been chasing scraps of knowledge: physics books, theosophy rants, nights bending energy in empty lots. This feels like a step up, a chance to see someone who might actually know what’s under the hood of your powers. Or it’s a con, and you’re a sucker for staring.
Then the poster moves. Zatanna’s painted hand twitches, fingers curling, and the crowd gasps as she tips her top hat. A white rabbit pops out, real as the rain, hopping onto the poster’s edge before vanishing in a puff of glitter. Shouts erupt—sharp, excited yelps from the kids, a low curse from the suit guy. The woman with the bag stammers, “That’s… that’s real magic.” A teen mutters, “No way, gotta be a hologram,” but his voice shakes, eyes wide. The crowd presses closer, murmurs swelling: “Magic’s real,” “She’s the real deal,” “How’d she do that?” The energy spikes, emotional and raw, and you siphon a sliver of it, feeling the crowd’s awe buzz in your veins. It’s not just a trick—this poster’s alive with power, and it’s calling to you.
Magic. You squint, digging through your scrambled memory. Was Zatanna a superhero? You fish for a thread: a stage act, maybe, some magician in fishnets pulling tricks on a screen. It’s hazy, drowned out by the roar of Parademons and the grind of survival. Nothing sticks. The Father-Box hums again, low and steady. "Power through will. This could teach you". You mutter, “Pipe down,” but it’s got a point. If she’s real, there’s something here you need to see.
The crowd’s still buzzing, some snapping photos of the poster, others arguing about wires or tech. You step back, the drizzle cold on your face. It’s 4:50. Show’s at 8. You’ve got time, but you’re not rolling in looking like a drowned rat. You head back to the motel, weaving through streets slick with rain and glowing neon. The air smells of wet concrete and fried food, the city humming low. At the motel, the clerk doesn’t blink as you snag your key and trudge to your room. The door groans open to a grim scene: stained carpet, a mattress that’s seen better days, a bathroom that reeks of mildew. You ditch your soggy clothes, step into the shower, and let the lukewarm spray blast the day off you. The water’s a dull roar, drowning out everything but your thoughts—Zatanna, that poster, the rabbit popping out like it owned the place. It’s got you hooked, a puzzle you can’t leave alone.
You towel off, pull on fresh jeans and a dark shirt that’s not half-bad, and sit on the bed, springs creaking under you. The Father-Box is quiet, but you feel its nudge. This show’s a chance—maybe to figure out how she twists energy, how you could too. You’re not buying tickets; cash is tight, and you don’t do front-row seats. You need in quiet, unseen. That light-bending trick you’ve been messing with—making yourself invisible—could work. It’s rough, pieced together from a beat-up book on optics and the Father-Box’s cryptic hints, but you’ve blurred yourself before. Time to test it again.
You stand in the room’s dim light, closing your eyes to feel the energy: the hum of the bulb flickering overhead, the faint heat radiating from the walls. You grab the light, willing it to curve around you, picturing it sliding past like water. It’s slippery, fighting your grip, but you dig in, jaw tight. The Father-Box whispers, "Bend the photons. Warp them." You push harder, sweat beading on your neck, and check the mirror across the room. Your reflection fades, turning faint, like a shadow in fog. Not fully gone—your outline shimmers if you move too fast—but close enough. The Father-Box hums, warm with approval. "It’s working. You’re learning." You smirk, feeling the buzz of progress. “Damn right,” you mutter, holding the effect a moment longer before letting it drop.
You grab your jacket, the fabric heavy with the day’s damp, and head out. The rain’s eased to a mist, and the Gotham Grand Theater glows ahead, its marquee cutting through the haze like a blade. The crowd outside is thick—fancy coats brushing against hoodies, kids shouting, the air buzzing with hype. You keep your hood up, slipping through the chaos like a ghost. The lobby’s all plush velvet and gold trim, chandeliers casting warm light, but you’re not here to gawk. You spot a staff door near the edge, half-hidden by a curtain. Focusing, you pull the light-bending trick again—your edges blur, a faint shimmer if someone looks too close. You duck past an usher barking orders, his eyes sliding over you like you’re not there. Inside, it’s tight corridors and flickering fluorescents, the air heavy with dust and old wood.
Up high, the theater sprawls below: seats filling, lights dimming, anticipation thick as smoke. You settle on a beam, hidden in shadow, and watch the stage.
How does the show go?
- No further chapters
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