2014, More Breaking Bad to start.

As the new season picks up, the camera pans across a nondescript office. An expansive board, tying events and people from the entire span of the show together dominates one side of the office. The camera leaps to certain parts, "SKYLER WHITE-- SUICIDE" "JESSE PINKMAN-- HOW DID HE DISAPPEAR? WHERE TO?" "GRAY MATTER-- COLLEGE FUND" "CARMEN MOLINA-- WHERE IS THE MONEY COMING FROM?" “SAUL GOODMAN— VANISHED”, linked to disparate entries on the board with string and index cards, covered in small, neat handwriting. It seems the work of an obsessive mind, albeit a logical and methodical one.

In a cheap office chair nearby, a woman sits, smartly dressed, sipping from an oversized mug of black coffee and taking in her handiwork. She's played by Rihanna. Though a famous beauty, the Barbadian singer's attractiveness is dialled back, she looks good, fine even, but believable for the world and her occupation in it.

"You've got the world fooled, Heisenberg, but not me." Rihanna says, her voice low and brimming with determination as she looks at a picture of Walter White, still with a full head of hair, taken from some party long ago. "I know you're still out there."

"Pro-tip, Shaw:" comes from a voice from in the doorway "Tough-talking the suspects usually only works when they're in the room... and still alive."

The other woman is played by Margot Robbie. She does a flawless American accent, as usual. Her blonde hair is back in a no-nonsense ponytail. She wears a white shirt, and black slacks. A golden badge, replete with a recognisable eagle, is clipped to her belt, a sidearm is neatly holstered on her hip.

"Rourke... you startled me." Shaw, Rihanna's agent, remarks. "Look, I don't want to, but maybe we should talk about last night."

Quick cuts follow of a recent meeting they had after hours, in a nondescript motel room. We see Margot, in white panties and a tank top, draw closer to Rihanna, sitting on the bed. Rihanna sends an exploratory hand into the front of Margot's underwear. Margot moans out in slightly uncomfortable pleasure as the beautiful black woman begins to masturbate her.

Another cut, Margot, clearly more comfortable now in her sapphic escapade with her partner, is behind Rihanna, caressing her beautiful breasts.

Another, Margot's ass, clad only in the plain cotton panties, pointed up as she fully goes down on her fellow beautiful agent.

"I can't say I didn't enjoy it, but we're working together, you're seeing Adam, we shouldn't..." Rosa Shaw begins, awkwardly. This wasn't the first time her womanising nature had created an awkward situation, but it never got any easier.

"We can talk about that later." Vanessa Rourke said, Margot expertly playing the discomfort of a woman who has to face up to the fact she may not be as heterosexual as she'd believed herself to be her entire adult life. "Top brass wants us at Langley, ASAP, they want to talk to you."

Rihanna is surprised, sitting up at this news. In government work you want to get noticed so you can advance, but only to a point. It is also a good way to take the blame for something bad that happens, it can get you fired, or imprisoned.

"For real? I need to talk to them, I think with just a little time, I could make them see my theories aren't so crazy. They might believe me!" Shaw says excitedly.

"For once, I'm actually with you." Rourke says. Reaching into her pants pocket, she takes out a small plastic baggy and tosses it onto the table in front of Shaw.

Within is something hard, blue and familiar.

"Fresh off the streets of Yekaterinburg. Lab techs tell me it's the real deal. Maybe your crazy theories aren't so crazy anymore, Shaw. Walter White is alive, at very least the blue made a comeback.”

“Purity?” Shaw replies softly. “What is the purity? We have seen the blue in Eastern Europe, but low quality garbage.”

“They tell me it is a shade over 99% pure,” Rourke replies. “Only ever seen one other time…this has been there, but recently the purity seen improved rather dramatically.”

The camera cuts from Shaw's reaction, a mix of bewilderment and vindication, to the crystal meth on the table as a familiar guitar twang plays. A new season of Breaking Bad begins.

The scene changes again, a dark screen showing the word красноярские, then it is subtitled to Krasnoyarskoe.

The darkness is broken as lights are turned on, and Walter White is somewhat forcefully moved into a large lab, quite obviously built to cook meth.

The bald, goateed and tattooed man named Grigori who was seen earlier in the series is seen again, wearing little in the way of protection as Walter is shown outfitting himself in full body protection as he is known to do.

Walter looks downtrodden, nearly ****. The other man goes through the motions of preparing a batch of meth to cook, and it looks very similar to what Walter and Jesse used to do.

When Walter speaks he is threatened, when he asks about Jenny both he and she are threatened, and he is given little in the way of breaks.

In rough English the large Russian man reminds him of the volume they need to achieve, now where the Russian man is doing most of the work, and Walter is overseeing the work.

“I have been at this for weeks,” Walter complains. “You told me I just had to teach you my formula, now you know it…it is time to let me go. Let me be with my family, we will make no trouble for you.”

The Russian man strikes Walter, an open hand slap that floors the older man. Walter is doing better with his health, but he wasn’t ever a large man and he is into his fifties now.

The Russian man points to a picture of Walter, Jenny and their kids on the wall, “I am not finished with you ‘Heisenberg’,” he says in an insulting tone. “We have a good thing going, I am making money, you are alive, and my men are only fucking your woman…we aren’t killing her.”

“Don’t you touch Jenny!” Walter shouts, drawing another slap, this one harder. You see him spit a little blood on the floor.

“I do more than touch her Walter,” the Russian man boasts. “I rather enjoy it when I trakhni tvoyu zhenu….” He says. “When I put my cock into your beautiful young wife. We all fuck her, the big tittied cow you married, but I do it the worst of all of us. I **** her, I fuck her in the ass, I piss on her Walter. She is a complete whore…but it could be much worse for her.”

You see Walter despair, his hand finds a tool and wraps around it, he is considering fighting the much larger and much younger man.

“When you are of no more use we will kill you, or maybe we hand you over to the American government dogs,” he continues. “But your woman? She will get fucked by us until she dies, and she will die worse than you do. With a cock in her, maybe a child growing in her, and my hands around her throat…”

He then grabs a handheld radio and shouts into it, “K chertu shlyukhu! Sdelayte eto seychas!” this is subtitled to “fuck the whore! Do it now!”

The man then punches Walter with a gleeful look on his face, flooring Walter White, he then reaches for a remote and turns on a big screen TV. “Watch what happens when you anger me Walter, I can do this without you now, I need you less every day! Are you ready for your woman to die today! See what my men will do to her every moment when we are done with you!”

As the screen pulls up the camera in the cell Jenny is in, Walter’s countenance falls, he has seen this many times, he has been made to watch other men fuck his young wife. It is something they do to torment him, to try and keep him in his place.

But not this time, when the screen resolves, there are two men lying on the floor. They are both close to naked, and there is a lot of blood on the floor.

Just then, the door to the lab opens quite hard, banging against the wall, and Jennifer Connelly walks through the door with a furious look on her face. She is wearing clothing taken from one of the men in the room, a smaller man closer to her own size, and the camera pans down to what she is holding.

An AK-47 type rifle. It looks like a newer variant, it is all black, with the stock folded in and some sort of red dot optics on it, and also with what looks like a suppressor on the end of the barrel. It is leveled at Grigori, the Russian man who captured them.

“Pozdorovaysya s d'yavolom, Grigori,” Jenny says harshly as the rifle erupts. The sound is muffled, but is unmistakeable, the muzzle flashes brightly and shell casings fly all over. Walter stays on the floor and you show Jennifer Connelly’s eyes as she empties the magazine into their captor. She doesn’t flinch at the fully automatic rifle fire, a rare trait in a civilian.

Grigori falls to the ground near Walter, his eyes open, the life gone from him. It doesn’t look like Jenny missed with a single one of the thirty shots she fired at him. Thirty rounds of 7.62mm center mass at close range, that is not something you survive.

Now you show Jenny let out a sigh of relief as she quickly pulls out another magazine from her belt, reloading the rifle. She then glances around and flips it to her side on a sling, moving towards Walter.

Walter stands up, astounded at what he saw, “Jenny…are you ok?” He looks at the bloody mess of a Russian on the floor beside him. “How did you get free?”

You then show flashbacks to sex scenes where Grigori, Milla and his men all enjoyed Jenny. And Jennifer Connelly is shown to be an enthusiastic participant, with whomever she is with. And there is a lot of sex shown on screen, many scenes with many of their captors, all of them.

One after another they are shown fucking the beautiful young woman, sometimes in groups. Milla seems to very much enjoy Jenny’s body, as she drives her tongue deep into the younger woman when she eats her out, she sucks on Jenny’s big tits with quite a lot of enthusiasm.

The men also enjoy Jenny, and you show graphic scenes where they all fuck her, and they all make a mess of her at the end. It is as if they all enjoy cumming on her face and mouth, trying to make the most beautiful thing they have ever seen less so.

In the most recent scene you show the two guards who had promised to kill Jenny split roasting her quite harshly, mistreating her physically as they do it, and you show that Jenny had managed to get a sharp piece of metal out of the bed frame in her cell, and she manages to get ahold of it.

After the two men finish **** her, you see them again taunting her as the begin to get dressed, and Jenny is shown moving up behind the larger of them, with the sharp piece of metal at his throat. There is cum on her face, and you show her spit some of it from her mouth as she approaches him.

“Vot kak ty umresh', Ivan..." she says in very clean Russian, subtitled to English as ‘This is how you die Ivan…” You don’t show it, you just show the other man’s face, a look of surprise and horror as blood splatters on his face.

He backs away, losing his composure, and you show Jennifer Connelly stalking him with hate in her eyes, “And now you Igor…how was it you said you would kill me?”

Back in the lab, in a sweet southern accent Jenny answers Walter, “it doesn’t matter Walter, his woman is in one of the cells. The men who were here with Grigori are all dead…we need to get ourselves together and leave this place.”

She is shown cleaning herself at a wash station Walter had insisted on, before taking a set of keys off of the dead Russian man in the room. Walter is still looking at Grigori on the floor and the two men dead on the TV.

“How did you do this Jenny,” he asks, stunned at the turn of events.

Jennifer Connelly smiles, “sometimes you need a brain to escape, sometimes beauty helps…” she answers sweetly. “Men tend to lose their resolve when they think a young woman loves them. His woman found a blade I had hidden, but she left it there, she helped me.”

“She was a part of this though, she was a part of **** me and hurting you. She earned her fate…and we can’t leave a witness behind.”

“But you said she was in a cell…” Walter asks, but he doesn’t dwell on it. You then show Milla lying on the floor of a cell, bleeding out. Jenny got to her as well. Jenny has been a formidable presence on the show since the start, she doesn’t play nice when people threaten her or Walter.

Walter then changes quickly into the clothing he had been wearing and Jenny hands him the keys, a phone and a pistol, “these should be for his Mercedes outside, get moving, I need to grab something. Call Yelena, we need to meet at the rendezvous and get out of this fucking country!”

You show Walter take off for the car and get it running, steadying himself. He focuses and calms his nerves before calling their nanny Yelena, “Yelena…it’s me, yes it is me, we are fine…there is no time for that. You got to where I told you to go with the kids? Good, I need you to bring them to the rendezvous we told you about…Jenny and I are on the way. We are leaving now.”

He then hangs up, wipes the phone down and breaks it in two, before throwing it into a dumpster near the car.

You then show Jenny moving quickly into a large office, and she finds a large safe, but as she expected Grigori was too lazy to keep it locked. She finds a large bag with US dollars in it, and adds what is in the safe to it, along with some jewelry and other valuables.

She is then shown pouring gasoline on his desk and around the room and lighting it on fire before sprinting to the lab where she repeats the process. More gasoline, and more fire, and she drops the AK-47 type rifle on the floor as she runs out with the bag over her shoulder.

She throws it in the back seat and tells Walter to slide over, taking the wheel and flooring it as they leave the building they were held in.

It was an abandoned looking warehouse, how it is an abandoned looking warehouse that is on fire, they need to get clear and fast.

You show Walter asking questions and looking in the bag, then shutting up when he sees a lot of cash in it. They pull up to their house, and Jenny puts in a code and the gate opens, and she drives quickly to their garage, nearly sliding the car into place as she backs in.

The place has police tape around it, and it has obviously been the scene of a massive shootout. But Jenny and Walter ignore its state.

“Get the go bags Walter, they have our IDs and travel papers in them. I will get the cash and put it in the trunk. Don’t leave the guns, we might need one or two…” Jenny says as she gets out and puts a code into a panel on the wall, after which their garage door opens quietly.

Walter is shown running into the house and back upstairs to the floor panel shown in the earlier episode. He pulls out two bags, looking through them, finding cash, passports and other ID. They are well set up, they have phones as well, and changes of clothing. And another set of car keys is seen.

Walter then runs back down to the car as Jenny is shown loading several large bags into the trunk and back seat. It looks like a lot of money.

She then pulls a small phone out of one of the bags and sends a text, “Kirill, nam pora idti, pryamo seychas.” Which you subtitle to “we have to go, right now.”

She constitutes, “sovershit' tranzaktsiyu seychas”. Which is translated to ‘’make the transaction now.’ She then breaks the phone and throws it into the garage.

“This isn’t all our money…” Walter says coldly, “where is the rest?”

She smiles, “I have been moving it out for a while now, investments, offshore accounts, a lot of it safely hidden in a non-extradition tax haven near where we are going.” Jennifer Connelly assures him, “we are set. With what we just got from that Russian pig, we have a lot more than we got here with. We are ok, we have more where we are going.”

“We are good then?” Walter asks with a smile, now seeming more of his old confident self.

“We are good baby,” Jenny replies with a smile. “Let’s go get our family…fire in the hole?”

Walter smiles and puts a code into the wall panel, which then asks for another code. “Fire in the hole…” he whispers as he puts in the next code, before climbing back into the car as Jenny pulls to the gate and waits for it to open. The garage door closes as they leave.

As it shuts behind them, there are a series of pops from the house and also flashes, then windows start to blow out.

They start to drive away as their home is quickly engulfed in flame.

“How far away are we?” Walter asks. “And do you need a map or something?” He pulls out one of the phones.

Jenny puts her hand on his to calm him, “no phones Walter, no GPS…” she says calmly. “I know where we are going, I have our out ready to go. We will leave no traces behind Walter.”

“Jenny, nobody is looking for us now,” Walter says with a small grin. “It has been too long, they think I am dead, they don’t know about you at all.”

Jennifer Connelly looks at Walter and smiles, “we haven’t stayed free by being careless Walter.” She says happily, “this is the life we chose baby, this is what we have to do. If anyone is ever looking, they need to find nothing. And we are leaving nothing.”

“Yelena knows us,” Walter replies coldly.

“Yelena is leaving the same as us Walter,” Jenny replies. “Her family is struggling here, we are giving them a new start. She is going with them, and she doesn’t know where we are going. And she thinks the authorities would take the money I am giving her if she goes to them.”

The episode ends as Jenny and Walter drive quickly out of town, as the camera backs out to a wide view that shows smoke rising from a large factory and a house miles away.

The credits roll in the traditional manner as the first episode of the new season of Breaking Bad comes to an end.