A long drive, and a long drive back...and both are eventful.

Trevor pulls up to the next heart icon and receives a call from Leticia. “Trevor baby, I have a girl that has a high paying John and she needs a drive out there, and for someone to look after her and bring her back home,” you hear in Halle Berry’s voice.

“It is a long trip, the client is in Paleto Bay, and she needs to get there in a hurry, so run some lights baby,” Leticia continues.

“If there is anything I like to do, it is breaking traffic laws and rejecting social norms, so I will have no problems there.” Trevor replies.

Trevor has a new heart icon, and he drives there as fast as he can, and stops in front of a nice apartment in Del Perro. A beautiful woman in a tight fitting black dress walks out, and a short cut scene begins.

You see a high end prostitute modeled after mid 1990’s Salma Hayek walk up to Trevor, and you hear Salma’s voice as she speaks to Trevor in an adorable accent.

“I need to be taken to Paleto Bay and quickly, are you my protection for this job?” Salma asks, you show her dress struggling to contain her large breasts, practically spilling out of the dress.

“In general I don’t think protection all that important, but yeah, I have your back for this,” Trevor replies.

The drive commenced and a back and forth conversation that takes place for much of the drive out there. The icon for the cultists on the mountain shows up, but you aren’t giving her to the Altruists.

You head Trevor’s usual awkward banter, countered by a seductive banter from Salma Hayek. He doesn’t know what to do with himself it seems.

Before you get out of LS, you see some red dots and hear Trevor complain, “now what in the fuck is this? Why are the lost getting involved in my prostitution racket?”

“Prostitution is wrong you inbred fucks!!!” Trevor screams as he accelerates away from the four bikers chasing him. “At least when they do it Salma, I do it with the upmost respect for my ladies...” the last line is said with a heavily sarcastic tone, one people love from Trevor.

Given that they are on bikes, losing them is easy enough, just knocking them off their bikes and running them over. Soon enough the yellow line shows back up on the map, and the timer appears again, now with the time left getting a bit short.

The banter continues as they drive, and it is humorous at times. Trevor sideswipes a car, and you hear Salma complain, “I didn’t come all this way to bang cars mister, can you be careful?”

Trevor answers in a sarcastic tone again, “do I come to your job and tell you how to suck dick? Leave the driving to me honey!”

Not long after, you pull up to the waypoint, with thirty seconds to spare, and a cut scene begins with a very well animated Salma Hayek walking into a decent looking house for the rural town.

You hear a brief sex scene as Trevor waits by his truck, and time shifts as you see the time advance, and then you see Salma Hayek come out and ask him to take her home.

“You got it sweet cheeks,” Trevor replies as they start driving back. The waypoint is going back to her apartment in Del Perro.

The conversation on the way back starts out with her talking about looking for a little more work, and mentioning that Leticia knew the manager of the Vanilla Unicorn.

“That’s me baby!” Trevor exclaims, “Trevor Phillips, owner and operator....”

They briefly discuss her having a tryout as a stripper, and she agrees to come by soon and talk about it.

Soon Trevor speaks again, “oh the open road, a lonely place, don’t you think Salma?”

Salma replies that it is sometimes, and Trevor continues, “well maybe you and me can do something to pass the time, what do you think baby?”

“Another time Trevor, I am exhausted, if you don’t mind I am going to get some sleep, wake me up when we get to my place.” Salma replies with a yawn, “I will take care of you for your efforts there.”

You show Salma lean over a bit and fall asleep, and you hear Trevor start psyching himself up for his reward when they get there, “oh yeah uncle T, gonna get a piece of that sweet booty tonight!”

You see Trevor lean over and put his arm close to her as he drives, “well a little peek won’t hurt anyone right, that dress looks very tight. Restricting blood flow is very dangerous.”

You then show a brief cut scene of Trevor reaching over and lowering the front of her dress. Her breasts pop out, and Salma Hayek’s beautiful breasts are clearly shown out in the open.

“Sweet Jesus,” Trevor says, unable to take his eyes off of her bare breasts, and his truck drifts out of his lane and strikes a car, drawing profanity from Trevor.

Unfortunately for him Salma wakes up, “what the fuck Trevor, why are my tits out!” She tries to pull her dress back up over her breasts. She struggles as the seatbelt is running between her breasts or over one of them.

“Uh, the thing is, well it probably just happened. Someone sideswiped me, a distracted driver probably.” Trevor replied, in a awkward tone. “Way too many assholes don’t pay attention when they drive, they should not be on the fucking road!”

Salma adjusts her seatbelt, being on the short side it doesn’t work well with her large breasts and her tight fitting low cut dress. She runs it under her breasts, which pushes them up more, and one of them pops out again. “Fuck!” Salma says sharply.

“That dress is pretty tight, I bet those babies just popped right out.”

You see Salma adjust, “ok, but drive carefully, please.” She keeps trying to cover herself, then gives up. “Fuck it, I am tired, enjoy the view, just drive safely.” Salma leaves the seat belt under her breasts and leans the seat back, and when Trevor hits a bump both are exposed again.

You then have a mini game as you drive, balancing between checking out her beautiful naked breasts and staying on the road. When you look over you get a clearer and clearer view of her breasts, and you start to hear the rumble of the edge of the road.

The point is to see as much as you can, but not to wake up the beautiful woman next to you.

Trevor pulls up to her apartment and Salma is very asleep, but looking beautiful. He pulls out his phone and you get to take some pictures, and you grab several. Finally you wake her up with a gentile squeeze on one breast. “We are here princess, my lovely lady of the night,” Trevor says in an oddly sweet but still awkward voice.

Soon a cut scene starts where he starts to walk towards her apartment, expecting to be let in, “so how about my reward darling?”

Instead Salma tells him they can do that another time, and gives him a kiss on the cheek and $200. “Thanks Papi, see you soon.”

As Trevor gets back into his car you get a mission complete message, and an indication that you can now run pimping missions all over town.

You see new icons on the map showing territories, yours are orange, and you see icons for the prostitutes working at any given moment. As you drive around in a territory you own, missions will pop up to help your prostitutes or to defend it.

As you drive around territories you don’t own, missions will pop up to fight for it, or to help prostitutes there to win their trust.

You get a text from Salma, now having her contact information. “Thanks for looking out for me Trevor, I owe you one, give me a call baby.”

This is followed by a picture, of her in a beautiful tight fitting teddy, with her big breasts covered but looking beautiful. “Oh I am going to have a nice time with you soon baby...” Trevor says in a very hungry tone.

You call Leticia to let her know it is done, and she tells you she will see you back at the Vanilla Unicorn. “You are at my place? See you soon Leticia,” Trevor is getting emotional as he speaks, his voice cracking. “I can’t wait to see you again.”

“Our place Trevor, it is our place now,” Leticia answers. “I did a little renovation to make it more livable though.”

“Uh, the fridge isn’t working, just so you know,” Trevor says, remembering he put the prior owner in that fridge.

“Oh I know, and that won’t do, I had some of the boys take that old fridge and dump it out past the port in the bay,” you hear in Halle Berry’s distinctive voice. “Something in there had turned, so I had them chain an engine to it and dump it. We got a brand new one baby.”

“Oh God I love you Leticia,” Trevor says, still in an emotional state.

“Good to hear baby, you can show me when you get here, I redecorated, we got a brand new bed here just waiting to get broken in!” Leticia replies.

The call ends, and you hear Trevor yell, “Oh fuck yeah, I am coming to tap that beautiful brown ass baby!”

Trevor pulls up to the Vanilla Unicorn, and when he walks into the back room you see it is far neater and much better decorated, and you show a beautifully animated Halle Berry waiting for him on the bed, naked with her legs wide, ready for him.