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Chapter 75 by Miriam Miriam

Do you agree to a little 'DP audition'?

Yes, you do

"I... I guess?", you say, still not entirely certain what you're even thinking. Getting fucked by two men simultaneously for no payment? Simply to see if you have what it takes to play a part in a movie that you know next to nothing about? So many warning bells are going off in your head. You're confident that you should be declining the 'offer', only to realize you've already agreed.

Rick smirks at you, and seems to shuffle some papers around on his clipboard. "I like your enthusiasm", he says. "That's definitely a point in your favor. Don't worry, we'll take it slow. First we'll go over some questions and then we'll start the real fun."

You nod. You feel a rush of emotions, but mostly you feel nervous. "Alright", you say in a slightly shaky voice. "L-let's do it."

"Great!", says Rick. "We'll meet you here tonight. Be here around 9 and I'll make sure to book one of the rooms, I'll see you then!", Rick says with a smile as you turn away from the bar in a slight daze...

... Just in time to see Honey entering the room and making a beeline straight towards you. Uh oh. You get the idea that she'll be bearing news of yet additional sexual debauchery that you'll soon be participating in.

"Marcy, there you are!", she exclaims, instantly trying to take you by the arm and pulling you along towards the door. "I've been looking for you! We have a new... uh... scene ready for you. Of sorts".

"Of sorts?", you ask, allowing Honey to guide you along. You leave the crowd behind, although most of them seem to have turned your attention away from you by now anyway.

"I'll explain on the way", Honey tells you. "We're going to be taking my car". Wait, her car? Are you leaving the studio?

"Where are we going?", you inquire as you follow Honey back up the stairs. She takes a left, through a large door which turns out to be the backdoor of the studio complex. There's a whole parking space back here, filled with a wide variety of mostly shady-looking vans and other cars beyond their prime. To your relief the vehicle she directs you to is red sports convertible.

"We are headed to a motel for a short and simple one-on-one shoot", Honey explains, squeezing your arm slightly. "But we have to hurry, it's almost an hour's drive and the film crew is already on the way to the location", she adds, looking at you as she releases your arm and rummages around in her handbag to find the keys. She opens the door to the passenger's side and gestures for you to get in.

Well, that doesn't sound so bad. A short and simple one-on-one shoot seems almost welcome when put in comparison to all the 'scenes' you already did or recently signed up for. Still, you weren't prepared to just leave the studio on short notice like this.

What's next?

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