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Chapter 6 by majus majus

What now?

process your prey

Looking at **** body of Mizuki Inaba, you decide that both, you and her have had enough of fun. Time to move to the official part of your encounter.

You take out the rope and start restraining the girl. You have some free time and decide to be artistic about it. It's not often that you can use your rope skills on someone... and Kinbaku's fun! It's relaxing, artistic... it's like fishing!

When you finish restraining your bounty with rope, you gag her with ball-gag.

With that done, you quickly change into your armour.

With that done, you hide the bodies of two punks. Waking up in pile of trash should set their attitudes straight – especially about molesting... well no, not really. They are that kind of idiots who don't think with their brains.

With that done, you walk up to Inaba and wake her up with smelling salts.

She is little disoriented, that is until her eyes land on your armoured form. Then the realization and fear hit her. She starts to crawl away from you, muffed noises escaping her gag – probably pleading, not that you care – but before she could crawl too far you grab her hair and **** her on her feet. Still holding her hair, you bring her close, so that her naked tits press hard against your armour. You pull her head back, so that she looks straight at your visor.

She makes a lovely sight.

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It's a pity that she doesn't appreciate your art.

“Don't even think about escaping, scum.” You say with your synthesized voice. “If you will try anything, you will regret it.” You take out your stun gun (in her eyes it's 'just' a gun) and touch her cheek with it. She whimpers and her eyes focus on the (stun)gun. “The bounty on your head is dead or alive. For me, dead's easier. Now, will I have any problems with you?”

A verbal threat, scary voice, your towering silhouette, her naked bound body pressing against your armour – intimidation complete. With that you shouldn't have any troubles with her.

She lightly shook her head, careful not to touch the (stun)gun.

“Good. Move.” Still holding her hair, you push her forward. She doesn't offer any resistance.

How do you go to the bounty's office?

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