Chase!

The USB is your mission here. You test the rope’s strength, before grabbing onto it and vaulting out the window, before twisting in mid-air so your feet come into contact with the building wall. You grab your shirt and wrap it around your hands to avoid rope burn, and then you begin to rappel down yourself, kicking off the wall in meter length intervals. You hit the ground in no time, but instead of taking off after the tiny figure in the distance, who looks to be limping after the fight, you sprint towards your car on a perpendicular alley.

From your pocket, you pull out a small beetle looking object and toss it in the air. It takes to the air, hovering. With your phone, you direct the mini-drone towards the retreating person, while moving towards your car. Your little bug drone doesn’t have the largest range, but it should be able to get the job done here.

You jump into your car, the phone syncing up to the onboard computer, which plots a path towards the assassin. With one hand on your phone and the other on the wheel, you rev out of the lot and onto the streets once more, rapidly approaching the assassin. As you navigate the drone closer, it is clear that you’re chasing down a Russian. She sports a sizeable gash on her right leg, and is loping towards a rundown car by the side of the road. From your estimate, it’ll only be a couple of a dozen or so seconds before you catch up to her, but she hot-wires the car faster than anyone you’ve seen before, and just as you pull around the corner to ram her car, she is off, speeding down the street.

She turns down an alley and you follow suit, intent on running her down before she can get to busier streets, where such an action would draw too much suspicion, so you gun down on the accelerator and race towards her. The beat-up model that she’s driving is no match for your car, and as it becomes clear that she has no hope of outracing you, you see her turn onto a broader street, where there is still minimal traffic.

You follow close behind, and just as you swerve to take her vehicle down, you see her leap out the window and roll on the street. You slam on the brakes and spin the wheel, executing a tight circular drift, but as you turn around, you see her slip over a gate into a construction site. No use keeping the car now.

You jump out the door, slamming it shut behind you, and sprint after her, vaulting over the small chain fence that denotes the constructing site. The assassin is climbing up the side of a small crane now, relying on her arms to keep distance. You are, however, far more fit than her, and your ascent up the crane is such that just as she is about to slip into the cabin at the top, you catch her foot, preventing her from rising any further. She thrashes her leg about, trying to break free, but it is to no avail.

You hoist yourself upwards, use an arm to pin down her legs, and then pull yourself into the cabin on top of her. Both of your legs now dangle mid-air, while your bodies wrestle within the narrow space of the cabin. She tries to go for the arteries in your neck, presumably to perform some sort of ****, but with a swift movement, you have her in an arm bar.

She struggles against you, attempting to twist out, but your grip is solid, and then she tries to leap out the open cabin door. Her arm cracks in a loud sound, and you would grimace, had you not heard this sound before. The assassin slumps onto you, gone **** from the pain. That neatly solves your problem.

You scoop her up in one arm, and begin to descend down the crane. The way down is far more difficult, with only one arm and a massive burden in your other, but you make it fine. The trip back to your Mercedes is met with one or two odd stares from people in the street, but none of them so much as snap a picture as you dump in her in the backseat. For good measure, you tie up her arms and legs with some cord in the trunk, and then you drive towards your hotel.

What do you do next?